Everything covering 120 Format Film on EMULSIVE

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

by EMJanuary 21, 2019July 31, 2021

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

Development notes
Kodak HC-110: 1+31(B

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Medium format, Photography

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

by EMJanuary 7, 2019July 31, 2021

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

No garbage! - Shot on Kodak T-MAX 400 at EI 400. Black and white negative film in 120 format shot as 6×6.

Medium format, Photography

Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)

by EMDecember 19, 2018July 31, 2021

No garbage!
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×6

Right - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Medium format, Photography

Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

by EMDecember 14, 2018July 31, 2021

1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5

Left - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Medium format, Photography

Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

by EMDecember 12, 2018July 31, 2021

Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5

Meeting place - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.

Medium format, Photography

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

by EMDecember 11, 2018July 31, 2021

Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6

My spot - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x4.5.

Medium format

Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

by EMDecember 4, 2018July 31, 2021

My spot

Shot on Fuji Provia 100F (RDP III

Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6

Medium format, Photography

Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)

by EMOctober 19, 2018July 31, 2021

Pure Colombian

Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6

Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.

Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.

Medium format, Photography

Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)

by EMSeptember 18, 2018July 31, 2021

Stand alone

Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4

Development notes
Cinestill Df96 monobath

Waiting #02 - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.

Medium format, Photography

Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)

by EMAugust 30, 2018July 31, 2021

Waiting area #02

Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6

Waiting area - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.

Medium format, Photography

Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)

by EMAugust 28, 2018July 31, 2021

Waiting area #01

Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6

Left on - Shot on Fuji NEOPAN 100 ACROS at EI 100. Black and white negative film in 120 format shot as 6x6. Kodak Aero Ektar 178mm f/2.5.

Medium format, Photography

Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)

by EMAugust 27, 2018July 31, 2021

Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Not in stock - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Medium format, Photography

Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)

by EMAugust 22, 2018July 31, 2021

Not in stock

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Light traffic - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Medium format, Photography

Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)

by EMAugust 20, 2018July 31, 2021

Light traffic

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

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My pond has no fish - Shot on ILFORD FP4 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed 1+2/3 stops.

Medium format, Photography

Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)

by EMAugust 17, 2018July 31, 2021

My pond has no fish

Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops

Read the ILFORD FP4 PLUS review

Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.

Medium format, Photography

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)

by EMAugust 13, 2018July 31, 2021

Flow

Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops

Lov is the answer - Shot on Kodak Portra 400VC at EI 200. Color negative film in 120 format shot as 6x6.

Medium format, Photography

Photography: Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)

by EMJuly 31, 2018July 31, 2021

Lov is the answer

Shot on Kodak Portra 400VC at EI 200
Color negative film in 120 format shot as 6×6

This corner of the earth - Shot on Shanghai GP3 100 at EI 200. Black and white negative film in 120 format shot as 6x6. Push processed one stop.

Medium format, Photography

Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)

by EMJuly 30, 2018July 31, 2021

This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.