Tag: 120 Format Film
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Photography: Fenced-in – Shot on Fuji Pro 160NS at EI 160 (120 format)
Fenced-in Shot on Fuji Pro 160NS at EI 160 Color negative film in 120 format shot as 6×4.5
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Photography: Exposed – Shot on Kodak Portra 400 at EI 400 (120 format)
Exposed Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×6
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Photography: Autumn unfurled – Shot on Kodak Portra 400 at EI 400 (120 format)
Autumn unfurled Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 16E macro extension tube / Hasselblad Planar F 80mm f/2.8
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Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Auburn shoots – Shot on Fuji Pro 160C at EI 100 (120 format)
Auburn shoots Fuji Pro 160C shot at EI 100 Color negative film in 120 format shot as 6×4.5
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Photography: Rolls – Shot on Kodak Portra 160 at EI 160 (120 format)
Rolls Kodak Portra 160 shot at EI 160 Color negative in 120 format shot as 6×6 RollsKodak Portra 160 shot at EI 160.Color negative in 120 format shot as 6×6
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Photography: Americana? – Shot on Fuji Pro 400H at EI 400 (120 format)
Americana? Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Blue crate – Kodak Portra 400 (120)
Blue Crate Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format shot as 6×6 1-stop under exposed, no push processing
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Photography: Phoenix rising – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Phoenix rising Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Deep-rooted – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Deep-rooted Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×6 Push processed 1+1/3 stop Read the full ILFORD HP5 PLUS review here.
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Photography: Hexagonal columns – Kodak AEROCHROME III 1443 (120)
Hexagonal columns Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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Photography: The mighty mini – Kodak T-MAX100 (120)
The mighty mini Kodak T-MAX100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
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Photography: Cirrius – Shot on Kodak T-MAX 100 TMX (120 format)
Cirrius Shot on Kodak T-MAX100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Whiter than white – Ilford HP5+ (120)
Whiter than white Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
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Photography: Young at heart – Kodak Ektar 100 (120)
Young at heart Kodak Ektar 100 shot at EI 100 Color negative film in 120 format
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Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)
Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6×4.5 Push processed five stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push
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Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Seduced by Babylon – Lomochrome Purple XR 100-400 (120)
Seduced by Babylon Lomochrome Purple XR 100-400 in 120 format Color negative film in 120 format shot as 6×6
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Photography: Out to dry – Shot on Lomography Lomochrome Purple XR100-400 at EI 400 (120 format)
Out to dry Shot on Lomography Lomochrome Purple XR100-400 at EI 400 Color negative film in 120 format shot as 6×6