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Medium format

View all photographs taken by EMULSIVE on 120 format film – 6×6, 6×7, 6×9, 6×12 and 6×17.

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS...

Leave it to burn Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.   Development notes Kodak HC-110: 1+31(B

Photography: No garbage! – Shot on Kodak T-MAX 400 at EI...

No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6      

Photography: Up and to the right #02 Shot on ILFORD SFX...

Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6x6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter      

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at...

Meeting place Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6x6      

Photography: My spot – Shot on Fuji Provia 100F RDP III...

My spot Shot on Fuji Provia 100F (RDP III

Photography: Untitled – Shot on Kodak Vericolor III VPS 6006 at...

Untitled Shot on Kodak Vericolor III (VPS 6006) at EI 100Color negative film in 120 format shot as 6x6

Photography: Chop chop – Shot on Kodak Ektar 100 at EI...

Chop chop Shot on Kodak Ektar 100 at EI 800 Color negative film in 120 format shot as 6x6 Push processed three stops    

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200...

Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6x6 Push processed seven stops    

Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120...

Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6x6 Push processed 5 stops.   Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute

Photography: Shattered by light – Shot on Kodak Ektar 100 at...

Shattered by light Shot on Kodak Ektar 100 at EI 400 Color negative film in 120 format shot as 6x6 Push processed two stops          

Photography: The Big Bad Wolf – Rollei Ortho 25 (120)

The Big Bad Wolf Rollei Ortho 25 shot at EI 25 Black and white negative film in 120 format shot as 6x6        

Photography: Waiting time – Shot on Tri-X 400 at EI 800...

Waiting time Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6x6      

Photography: Low tide – Shot on Fuji Velvia 50 RVP50 at...

Low tide Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6x6          

Photography: Tapped out – Ultrafine Xtreme 100 (120)

2016-06-14 - Tapped out Ultrafine Xtreme 100 shot at EI 200 Black and white film in 120 format shot as 6x6 Push processed one stop

Photography: Not in stock – Shot on Rollei Ortho 25 at...

Not in stock Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6x6   Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Photography: Look but don’t touch – Fuji Pro 160NS (120)

2016-06-13 - Look but don't touch Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6x6 Push processed three stops    

Photography: Stand alone – Shot on ILFORD PAN F PLUS at...

Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6x6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4   Development notes Cinestill Df96 monobath

Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059...

Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format shot as 6x12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6x12 film back      

Photography: No parking – Shot on Ultrafine Xtreme 400 at EI...

No parking Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6x6      

Photography: Out on a limb – Ultrafine Xtreme 400 (120)

Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6x12          

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