Category: Medium format
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Photography: Skins – Shot on Fuji Pro 160NS at EI 400 (120 format)
Skins Shot on Fuji Pro 160NS at EI 400 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Side entrance #01 – Shot on Kodak Portra 400 at EI 400 (120 format)
Side entrance #01 Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
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Photography: Clipped – Shot on ILFORD XP2 Super (120)
Clipped Shot on ILFORD XP2 Super at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Nice pins – Shot on Kodak Portra 400VC (120)
Nice pins Shot on Kodak Portra 400VC at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Ash collection system – Shot on Fuji Provia 400X – RXP400 (120)
Ash collection system Shot on Fuji Provia 400X (RXP400) at EI 400 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Full spread – Shot on Fuji Pro 400H (35mm)
Full spread Shot on Fuji Pro 400H at EI 400 Color negative film in 35mm format
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Photography: Small hot chillies – Shot on Lomography Color Negative 400 (120)
Small hot chilies Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Offaly good – Shot on Lomography Color Negative 400 (120)
Offaly good Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Wild pig – Shot on Lomography Color Negative 400 (120)
Wild pig Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Strung up – Shot on Lomography Color Negative 400 (120)
Strung up Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Snack time – Shot on Lomography Color Negative 400 (120)
Snack time Shot on Lomography Color Negative 400 at EI 800 Color negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Back street mural – Shot on Kodak Portra 160VC (120)
Back street mural Shot on Kodak Portra 160VC at EI 100. Color negative film in 120 format shot as 6×6.
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Photography: Death Valley Approach #03 – Shot on Kodak EKTACHROME 100GP (120)
Death Valley Approach #03 Shot on Kodak EKTACHROME 100GP (E100GP) at EI 100. Color reversal (slide) film in 120 format shot as 6×12. Cross processed.
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Photography: First break – Shot on ILFORD XP2 Super (120)
First break Shot on ILFORD XP2 Super at EI 400 Black and white negative film in120 format shot as 6×6
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Photography: Harmony Borax Works – Kodak Pro 400 MC 6059 shot at EI 320 (120)
Harmony Borax Works Kodak Pro 400 MC 6059 shot at EI 320. Color negative film in 120 format shot as 6×12. Graflex Speed Graphic / Kodak Aero Ektar 178/2.5.
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Photography: Tank slapped – Shot on Fuji Provia 100F – RDP III (120)
Tank slapped Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Off center – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Off center Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Hello Cooper – Shot on Fuji Provia 100F – RDP III (120)
Hello Cooper Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×4.5 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Absorbed – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Absorbed Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6 XPRO
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