Medium format
Photography: Top to bottom – Shot on Fuji Acros 100 at EI 100 (120 format)
Top to bottom
Shot on Fuji Acros 100 at EI 100
Black and white negative film in 120 format shot as 6x17
Photography: Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)
Chop chop
Shot on Kodak Ektar 100 at EI 800
Color negative film in 120 format shot as 6x6
Push processed three stops
Photography: Threading the needle – Shot on Shanghai GP3 100 at EI 100 (120 format)
Threading the needle
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6x6
Photography: Transition 05 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 05
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 04 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 04
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 03 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 03
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Transition 01 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Transition 01
Shot on Rollei Superpan 200 at EI 200
Black and white negative film shot as 6x6
Hasselblad 2000FCW + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan review and experimentation guide
Photography: Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast
Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6x6
Orange #21 filter
Photography: Three – Shot on Fuji Provia 100F RDPIII at EI 100 (format)
Three
Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6x6
Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
View no more
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6x45
Push processed three stops
Read the full ILFORD HP5 PLUS review here.
Photography: Shorn – Shot on Kodak EKTACHROME E200 at EI 200 (120 format)
Shorn
Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6x6
Photography: Full bloom – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Photography: Veins #02 – Shot on Rollei Superpan 200 at EI 200 (120 format)
Veins #02
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
Photography: Shard – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Shard
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Photography: One down – Shot on Rollei Superpan 200 at EI 200 (120 format)
One down
Shot on Rollei Superpan 200 at EI 200
Black and white negative film in 120 format shot as 6x6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the Rollei Superpan 200 review and experimentation guide.
Photography: Breather – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (120 format)
Breather
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 2000 + Kodak Aero Ektar 178mm f/2.5
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Photography: Hello…follow me – Shot on Fuji Provia 100F RDPIII at EI 100 (120 Format)
Hello...follow me
Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6x6
Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)
Off at the door
Shot on Silberra ULTIMA 200 at EI 200
Black and white negative film in 120 format shot as 6x6
Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below
Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4x5 format
