film.photography
View all photographs taken by EM on 120 format film – 6×6, 6×7, 6×9, 6×12 and 6×17.
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
My spot
Shot on Fuji Provia 100F (RDP III
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Stand alone
Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4
Development notes
Cinestill Df96 monobath
Waiting area #02
Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Waiting area #01
Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Not in stock
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Light traffic
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
 
My pond has no fish
Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops
Read the ILFORD FP4 PLUS review
Seventeen sticks
Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
Light pollution
Shot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6×6
Pull processed one stop
Flow
Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops
Lov is the answer
Shot on Kodak Portra 400VC at EI 200
Color negative film in 120 format shot as 6×6
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
Claw
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5 stops.
Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in 120 format shot as 6×12 Push processed one stop Development notes: Kodak HC-110: 1+47, 20°C/68°F, 10:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
