• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Photography » Medium format » Page 3

Category: Medium format

View all photographs taken by EM on 120 format film – 6×6, 6×7, 6×9, 6×12 and 6×17.

Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Posted inMedium format

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Avatar - EMby EMJune 1, 2019July 31, 2021

Dead center

Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME review

Dead

Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Posted inMedium format

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)

Avatar - EMby EMMay 25, 2019July 31, 2021

Rested

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Read the Kodak AEROCHROME

Pads - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x9. Shot with #21 orange filter.
Posted inMedium format, Photography

Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)

Avatar - EMby EMFebruary 24, 2019July 31, 2021

Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

Cup holder as standard - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x9. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Posted inPhotography

Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

Avatar - EMby EMFebruary 17, 2019July 31, 2021

Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6×9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00

Leave it to burn - Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6x9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5.
Posted inMedium format, Photography

Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)

Avatar - EMby EMJanuary 21, 2019July 31, 2021

Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.

 

Development notes
Kodak HC-110: 1+31(B

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.
Posted inMedium format, Photography

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Avatar - EMby EMJanuary 7, 2019July 31, 2021

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

No garbage! - Shot on Kodak T-MAX 400 at EI 400. Black and white negative film in 120 format shot as 6×6.
Posted inMedium format, Photography

Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)

Avatar - EMby EMDecember 19, 2018July 31, 2021

No garbage!
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×6

 

 

 

On point - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Cross processed.
Posted inMedium format, Photography

Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

Avatar - EMby EMDecember 18, 2018July 31, 2021

On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.

 

 

 

Right - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

Avatar - EMby EMDecember 14, 2018July 31, 2021

1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5

 

 

Left - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

Avatar - EMby EMDecember 12, 2018July 31, 2021

Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5

 

 

 

Meeting place - Shot on Fuji Velvia 50 (RVP 50) at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)

Avatar - EMby EMDecember 11, 2018July 31, 2021

Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6

 

 

 

Wow, what a difference! - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Cross processed.
Posted inMedium format, Photography

Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

Avatar - EMby EMDecember 10, 2018July 31, 2021

Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.

 

 

 

My spot - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x4.5.
Posted inMedium format

Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

Avatar - EMby EMDecember 4, 2018July 31, 2021

My spot

Shot on Fuji Provia 100F (RDP III

Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6
Posted inMedium format, Photography

Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)

Avatar - EMby EMOctober 19, 2018July 31, 2021

Pure Colombian

Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6

Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.

Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)

Avatar - EMby EMSeptember 18, 2018July 31, 2021

Stand alone

Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4

 

Development notes
Cinestill Df96 monobath

Waiting #02 - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)

Avatar - EMby EMAugust 30, 2018July 31, 2021

Waiting area #02

Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6

 

 

Waiting area - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)

Avatar - EMby EMAugust 28, 2018July 31, 2021

Waiting area #01

Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6

 

 

Left on - Shot on Fuji NEOPAN 100 ACROS at EI 100. Black and white negative film in 120 format shot as 6x6. Kodak Aero Ektar 178mm f/2.5.
Posted inMedium format, Photography

Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)

Avatar - EMby EMAugust 27, 2018July 31, 2021

Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad   Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse      

Not in stock - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)

Avatar - EMby EMAugust 22, 2018July 31, 2021

Not in stock

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

 

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Light traffic - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.
Posted inMedium format, Photography

Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)

Avatar - EMby EMAugust 20, 2018July 31, 2021

Light traffic

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

 

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

&nbsp

Posts navigation

Newer posts 1 2 3 4 5 … 27 Older posts
  • Latest
  • Popular
Latest
Popular

New to film photography? Read this:

Related reading

Power-up - Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
Photography: Power up – Shot on Fuji Provia 100F (RDP III) at EI 100 (120 format)
n-okin
Photography: N O ~ ~ O K I N ~ – Agfa Vista Plus 200 (35mm)
Experiments: Kodak Tri-X 400
Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Helmet kitty - Lomochrome Purple XR100-400 shot at ISO400. Color negative film shot in 120 format as 6x6.
Photography: Helmet kitty – Shot on Lomography Lomochrome Purple XR100-400 at EI 400 (120 format)
Stacked - Kodak Portra 400 shot at ISO400
Photography: Stacked – Shot on Kodak Portra 400 at EI 400 (120 format)
Triple threat - Shot on ILFORD SFX 200 at EI 200 - Black and white negative film in 35mm format - Leica M6 TTL 0.85 + Canon Serenar 50mm f/1.5
Photography: Triple threat – Shot on ILFORD SFX 200 at EI 200
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • Beacons Through Time: East Coast US lighthouses captured on solargraphs
  • 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M
  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
  1. don on Meopta Magnifax 4 darkroom enlarger: All you need to knowSeptember 25, 2023
  2. Daily Thompson-Mail on 5 Frames… In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) – by Julian RuossSeptember 24, 2023
  3. Michael Przewrocki on An early swansong? Reviewing the CONTAX AX: autofocusing manual lensesSeptember 21, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.