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Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
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Category: Medium format
View all photographs taken by EM on 120 format film – 6×6, 6×7, 6×9, 6×12 and 6×17.
Posted inMedium format
Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Posted inMedium format, Photography
Photography: Pads – Shot on Kodak AEROCHROME III 1443 (Large format)
Pads
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×9
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Posted inPhotography
Photography: Cup holder as standard – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Cup holder as standard
Shot on ILFORD HP5 PLUS at EI 400.
Black and white negative film in 120 format shot as 6×9.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B), 20°C/68°F, 05:00
Posted inMedium format, Photography
Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in 120 format shot as 6×9.
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Posted inMedium format, Photography
Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter
Posted inMedium format, Photography
Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)
No garbage!
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Posted inMedium format, Photography
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Posted inMedium format, Photography
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Posted inMedium format, Photography
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Posted inMedium format
Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
My spot
Shot on Fuji Provia 100F (RDP III
Posted inMedium format, Photography
Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Posted inMedium format, Photography
Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone
Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4
Development notes
Cinestill Df96 monobath
Posted inMedium format, Photography
Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #02
Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #01
Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted inMedium format, Photography
Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)
Not in stock
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted inMedium format, Photography
Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)
Light traffic
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
 
