Category: Medium format
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Photography: Fizz (aka “after the rain”) – Shot on Rollei RPX 400 at EI 400 (120 format)
Fizz (aka “after the rain”) Shot on Rollei RPX 400 at EI 400 Black and white negative film in 120 format shot as 6×4.5
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Photography: Persici blossoms – Shot on Fuji Pro 400H at EI 400 (120 format)
Persici blossoms Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×4.5 Hasselblad Planar 80mm f/2.8 – E16 macro extension tube
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Photography: Flightpath – Shot on Kodak Portra 400 at EI 200 (120 format)
Flightpath Shot on Kodak Portra 400 at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Fan out – Shot on Kodak Tri-X 400 at EI 100 (120)
Fan out Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Disintegrated – Shot on Kodak Portra 400 at EI 400 (120 format)
Disintegrated Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Cracking up – Shot on Kodak Portra 400 at EI 1600 (120 format)
Cracking up Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×4.5 Push processed two stops
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Photography: Railroaded – Shot on Kodak Ektar 100 at EI 100 (120 format)
Railroaded Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Nestled in the hills – Shot on Kodak Ektar 100 at EI 100 (120 format)
Nestled in the hills Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Fuchsia canopy – Shot on Kodak AEROCHROME III 1443 (120)
Fuchsia canopy Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×4.5 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME review  
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Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Luck of the damned – Fuji Acros 100 (120)
Luck of the damned Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format as 6×6 Push processed 2 stops
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Photography: Helmet kitty – Shot on Lomography Lomochrome Purple XR100-400 at EI 400 (120 format)
Helmet kitty Shot on Lomography Lomochrome Purple XR100-400 at EI 400 Color negative film shot in 120 format as 6×6
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Photography: Mind if I barrow this? – Shot on Kodak Portra 400 at EI 400 (120 format)
Mind if I barrow this? Shot on Kodak Portra 400 shot at EI400 Color negative film in 120 format shot as 6×6
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Photography: Lobed – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
Lobed Shot on ILFORD HP5 PLUS at EI 400 Black and white negative film in 120 format shot as 6×4.5 Read the full ILFORD HP5 PLUS review here.
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Photography: Filing – Ultrafine Extreme 400 (120)
Filing Ultrafine Extreme 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Secured – Shot on Kodak Tri-X 400 at EI 800 (120)
Secured Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Photography: To let – Fuji Pro 160C (120)
To let Fuji Pro 160C shot at EI 160 Color negative film in 120 format shot as 6×6