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Today's interviewee marks the completion of a conversation started in June 2015, back when I started researching people to include in my very first series, which started barely a month later.
He's someone you'll probably be aware of, especially
Regular readers will be aware that I typically focus on everyday film shooters (like me) for these interviews but the opportunity occasionally arises to sit down with someone very special.
This is one of those times and I'm very
I think one of the first interactions I had with David was in Feb 2017 when he commented "best thread ever" on a Twitter thread I was involved in, which included a stock photo of two shirtless elderly gentlemen having
Regular readers will remember reading about Yan's current project, Mother River here on EMULSIVE a couple of weeks ago and I'm, please to be able to finally bring more of her words and work to you in today's fresh EMULSIVE
It's my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven't already done so, please do check out her take on portrait photography and double exposure portraiture.
Almost a year to this day, on a late January afternoon, I met with three characters who were crazy enough to have woken up one morning and collectively thought to themselves, “Hey, we think we’ll build a film lab.”
If you remember 2017's Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you'll be more than familiar with today's interviewee, Ian Bartlett.
I'm looking forward to this!