Author: EM
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Photography: Two hearts – Fuji Pro 400H (120)
Two hearts Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format as 6xx4.5
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Photography: Urban sprawl – Shot on Rollei Infrared 400 at EI 400 (120 format)
Urban sprawl Rollei Infrared 400 shot at EI 400 Black and white negative infrared sensitive film in 120 format shot as 6×6
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Photography: Watching the world go by – Shot on Fuji Pro 400H at EI 400 (120 format)
Watching the world go by Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Opal sprig – Shot on Lomography Lomochrome Purple XR 100-400 (120 format)
Opal sprig Shot on Lomography Lomochrome Purple XR 100-400 shot at EI400 Color negative film in 120 format shot as 6×4.5
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Photography: Ochre palms – Shot on Lomography Redscale 100 at EI 100 (35mm format)
Ochre palms Shot on Lomography Redscale 100 at EI 100 Redscale negative film in 35mm format
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Photography: Table-au – Shot on Fuji Provia 100F RDPIII at EI 100 (120 format)
Table-au Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×4.5 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Urban crab-oflage – Shot on Fuji 64D 8552 at EI 64 (35mm format)
Urban crab-oflage Shot on Fuji 64D (8552) at EI 64. Color negative motion picture film in 35mm format.
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Photography: Wispy – Shot on Rollei Infrared 400 at EI 400 (120 format)
Wispy Rollei Infrared 400 shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Outside world – Shot on Kodak T-MAX 100 at EI 100 (120 format)
Outside world Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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EMULSIVE interview #11: I am Preston Young and this is why I shoot film
Welcome back for another interview!
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Photography: Regret – Shot on Kodak T-MAX 100 at EI 100 (120 format)
Regret Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Tree-clipse – Shot on Lomography Redscale 100 at EI 100 (120 format)
Tree-clipse Lomography Redscale 100 shot at EI 100 Color redscale film in 120 format shot as 6×6
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Note to self: your street photography sucks
A quick note to readers I’m not talking to you. I wrote this (de)motivational diatribe to myself a year or so ago whilst in a bit of a photographic funk.
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Photography: Rusted – Fuji ACROS 100 (120)
Rusted Fuji Acros 100 shot at ISO1600 Black and white negative film in 120 format Push processed 4 stops
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Photography: Urdhva mukha śvānāsana / upward facing dog – Shot on Kodak T-MAX 400 at EI 400 (120 format)
Urdhva mukha śvānāsana / Upward facing dog Kodak T-MAX400 shot at EI 400 Black and white negative film in 120 format shot as 6×4.5
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EMULSIVE interview #10: I am Craig Pindell and this is why I shoot film
We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher.
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Photography: Spokes – Kodak Tri-X 400 (120)
Spokes Kodak Tri-X 400 shot at ISO800 Black and white negative film in 120 format
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Photography: Monochrome fade – Shot on Kodak Portra 400 at EI 800 (120 format)
Monochrome fade Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format Push processed 1 stop
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Photography: Red planet – Shot on Lomography Redscale XR 50-200 at EI 100 (120 format)
Red planet Shot on Lomography Redscale XR 50-200 at EI 100 Color redscale film shot in 120 format as 6×12 Holga 120 Pan / Schneider Super Angulon 90mm f/8 MC
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
