Author: EMULSIVE

I'm EM, founder, overlord, editor-in-chief here at EMULSIVE.org and all-round benevolent gestalt entity. Contrary to popular belief, I am not an AI.

Experiments: cross processing and push processing Fuji Provia 100F (RDP III)

Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and

Film notes: ILFORD FP4 PLUS 125

Following on from our recent review, here's a quick reference for ILFORD's fine detail, old school contrast monster, FP4 PLUS. Here's what they have to say: "For high quality black and white photography, ILFORD FP4 PLUS is unrivaled.

Photography: Dry dock – Shot on Fuji 64D 8552 (35mm)

Dry dock Shot on Fuji 64D 8552 at EI 64 Color negative motion picture film in 35mm format.   There's more from this roll of Fuji 64D 8552 motion picture film at the EMULSIVE Archives.      

Photography: Fixed motion – Shot on Rollei Superpan 200 at EI 400 (120 format)

Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed one stop. Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!    

Photography: Let there be light – Shot on Fuji Provia 100F RDP III (120)

Let there be light Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6x6 Read the Fuji Provia 100F (RDP III) review here.          

Photography: SPRUNG! – Shot on Kodak Tri-X 400 at EI 400 (120)

SPRUNG! Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 120 format shot as 6x6 Read the Kodak Tri-X 400 review here. ...and don't forget about the Tri-X 400 push processing guide!      
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