Author: EM
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Photography: Phoenix rising – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Phoenix rising Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Deep-rooted – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Deep-rooted Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×6 Push processed 1+1/3 stop Read the full ILFORD HP5 PLUS review here.
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Photography: Hexagonal columns – Kodak AEROCHROME III 1443 (120)
Hexagonal columns Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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EMULSIVE interview #19: I am Diz and this is why I shoot film
Is it me, or are these weeks flying by?
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Photography: The mighty mini – Kodak T-MAX100 (120)
The mighty mini Kodak T-MAX100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
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Photography: Cirrius – Shot on Kodak T-MAX 100 TMX (120 format)
Cirrius Shot on Kodak T-MAX100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Gnarly – Shot on Kodak ULTRA-MAX 400 at EI 400 (35mm format)
Gnarly Kodak ULTRA-MAX 400 shot at EI 400 Color negative film in 35mm format
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Photography: Whiter than white – Ilford HP5+ (120)
Whiter than white Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
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EMULSIVE interview #18: I am Joseph Gamble and this is why I shoot film
Have you ever seen an image that stopped you dead in your tracks? It last happened to me about a year ago, maybe more, maybe less. I was browsing an online gallery of desktop wallpapers, looking for something a little
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Photography: Young at heart – Kodak Ektar 100 (120)
Young at heart Kodak Ektar 100 shot at EI 100 Color negative film in 120 format
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Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)
Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6×4.5 Push processed five stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push
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Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Going going gone – Shot on Kodak Pro Image 100 at EI 100 (35mm format)
Going going gone Kodak Pro Image 100 shot at EI 100 Color negative film in 35mm format
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Photography: Seduced by Babylon – Lomochrome Purple XR 100-400 (120)
Seduced by Babylon Lomochrome Purple XR 100-400 in 120 format Color negative film in 120 format shot as 6×6
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Photography: Curly – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Curly Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Umbrella – Shot on Kodak 500T 5219 at EI 500 (35mm)
Umbrella Shot at Kodak 500T (5219) at EI 500 Color motion picture film in 35mm format
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Photography: Out to dry – Shot on Lomography Lomochrome Purple XR100-400 at EI 400 (120 format)
Out to dry Shot on Lomography Lomochrome Purple XR100-400 at EI 400 Color negative film in 120 format shot as 6×6
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Film culture: ‘Moments in Place’
Relationships that are established by geometry, and then, gesture and light, those are often the hallmarks of a successful photograph. We’re incredibly pleased to be able to talk to you about Joseph Gamble’s new quasi-photographic retrospective, which kicked off on
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Photography: Lantern – Shot on Lomography Redscale XR 50-200 shot at EI 100 (120 format)
Lantern Shot on Lomography Redscale XR 50-200 shot at EI 100 Color redscale film in 120 format shot as 6×4.5