Author: EM
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Photography: Chrysalised – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Chrysalised Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Scratched to bits – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm format)
Scratched to bits Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
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Photography: To the gate – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
To the gate Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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![Analog [dis?]ability: photography as a tool for healing](https://emulsive.org/wp-content/uploads/2018/05/Cover-Analog-Ability.png)
Analog [dis?]ability: photography as a tool for healing
Every time we pick up our cameras we probably take them for granted.
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Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
Postie Shot on ILFORD FP4 PLUS at EI 100 Black and white negative film in 35mm format Holga 120 PAN + Schneider Angulon 90mm f/6.8 Read the ILFORD FP4 PLUS review
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Photography: Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400 Color negative film in 35mm format
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Photography: Off peak – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Off peak Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: The moon in her hands – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
The moon in her hands Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format
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EMULSIVE April 2018: month in review
Thirty-two articles and 16 photographs made up the month that was April 2018 here on EMULSIVE. There’s only one reasonable way to put them all in one place and that’s this list.
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Photography: Hello…follow me – Shot on Fuji Provia 100F RDPIII at EI 100 (120 Format)
Hello…follow me Shot on Fuji Provia 100F RDPIII at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Split #05 – Shot on ILFORD Delta 100 Professional at EI 800 (35mm format)
Split #05 Shot on ILFORD Delta 100 Professional at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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EMULSIVE interview #179: I am Daphne Schnitzer and this is why I shoot film
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
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Photography: By a nose – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm format)
By a nose Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
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Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)
Off at the door Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: SHOX – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
SHOX Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
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Developing expired large format black and white film
If you are old enough, you will remember a time when expired film was like kryptonite to a photographer.
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Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)
Above as below Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 4×5 format
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Test shots: Revolog Kosmos (35mm) + Bronica ETRSi
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.
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Photography: Cosy corner – Shot on Kosmo Foto Mono 100 at EI 100 (35mm format)
Cosy corner Shot on Kosmo Foto Mono 100 at EI 100. Black and white negative film in 35mm format.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
