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Author: EMULSIVE

Red cabbage light study #01 – Kodak Ektar 100 (120)

Red cabbage light study #01 Shot on Kodak Ektar 100 at EI200 Color negative film in 120 format shot as 6×6 Developed as black and white in Rodinal     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Safe to cross – Kodak Tri-X 400 (35mm)

Safe to cross Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Nick Skinner and this is why I shoot film

Today we’re sitting down with 23-year old Nick Skinner from Newcastle in the North East of England. Nick’s been shooting film for about two years and has a rather interesting background which, as you’ll see, imparts itself onto his photography with some beautiful results. Over to you, Nick.     Hi Nick, what’s this picture, then? This is my favourite photo out of the first roll of film I ever developed myself at home. It’s of a place called Aldeburgh in Suffolk. My family have been going there for decades since well before I was born and it’s a...

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The path ahead – Fuji Pro 160NS (120)

2016-06-16 – The path ahead Fuji Pro 160NS (120) shot at EI 400 Color negative film in 120 format shot as 6×7 Push processed 1+1/3 stops     Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Recensione: vi racconto le mie folding – Zeiss Ikon Ikonta 520/2 & Zeiss Ikon Nettar 515/2

Il panorama della fotografia analogica è ricchissimo di fotocamere e attrezzature prodotte negli ultimi secoli da centinaia di produttori diversi, e questo ci aiuta a capire la bellezza e lo stato di evoluzione che questa Arte (la Fotografia) è riuscita a raggiungere. A partire dalle semplicissime “box camera” degli ultimi del 19° secolo e finendo con l’ultima reflex elettronica professionale. Però, secondo l’adagio che dice “meno è meglio”, secondo me le fotocamere particolarmente antiche sono le più intriganti di tutte, perché sono in grado di metterci in contatto con l’essenza della Fotografia, che spero sappiate riconoscere anche voi alla...

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Fuzzy little butthead – Kodak EKTACHROME 400X EPL 6057 (120)

2016-06-15 – Fuzzy little butthead Kodak EKTACHROME 400X EPL 6057 shot at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed       Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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I am Christopher Schmidtke and this is why I shoot film

We’ve got more fresh blood for you today in the form of Christopher Schmidtke from Wuerzburg, Germany. I won’t spoil it and let you all jump in; over the you, Christopher,     Hi Christopher, what’s this picture then? CS: I thought I’d start off with a picture that has special meaning to me. This was on my second roll of film and shot on a Minolta X-700 (my first film camera). It may not be the greatest image of all time, but I remember that I was walking in the woods, taking in all the different sounds, when...

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Tapped out – Ultrafine Xtreme 100 (120)

2016-06-14 – Tapped out Ultrafine Xtreme 100 shot at EI 200 Black and white film in 120 format shot as 6×6 Push processed one stop Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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Look but don’t touch – Fuji Pro 160NS (120)

2016-06-13 – Look but don’t touch Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6×6 Push processed three stops   Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something out....

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Danger close – Fuji Pro 160NS

2016-06-10 – Danger close Fuji Pro 160NS shot at EI 100. Color negative film in 120 format shot as 6×6. Contribute to EMULSIVE EMULSIVE NEEDS YOU. The driving force behind EMULSIVE is knowledge transfer, specifically engendering more of it in the film photography community. You can help by contributing your thoughts, work and ideas.Help drive an open, collaborative community – all you need do is drop us a line and we’ll work something...

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