• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Mamiya Sekor 80mm f/2.8

Tag: Mamiya Sekor 80mm f/2.8

Black and white photo of a twisty tree
Posted in5 Frames...

5 Frames… Of twisty trees on Fomapan 200 Creative and a Mamiya C22 (Mamiya-Sekor 80mm f/2.8)

Avatar - Sarah Hallby Sarah HallDecember 10, 2021December 10, 2021

I’ve had my Mamiya C22 TLR for a few months now and run a few rolls through it. It occurred to me the other day though that I’d only used it in the studio, and mostly at minimum focusing distance. After macro photography, my second favourite thing to take pictures of is probably knobbly twisted […]

My Mamiya C330 Professional
Posted in5 Frames..., Articles

5 Frames… With ILFORD FP4 PLUS (EI 125 / 120 format / Mamiya C330 Professional)

Avatar - Jack Stoufferby Jack StoufferApril 17, 2020July 31, 2021

I grew up in an area that used to be completely farmland about 100 years ago. Some of the smaller family-owned farms are still in operation, but almost all of the original landowners decided a long time ago that the money from selling the land would be more than the money they’d be paid by […]

5 Frames With... Kosmo Foto Mono 100 (EI 100 / 120 format / Mamiya C220) - by Matt Thompson
Posted in5 Frames..., Articles

5 Frames… With Kosmo Foto Mono 100 (EI 100 / 120 format / Mamiya C220)

by Matt ThompsonMarch 19, 2020July 31, 2021

Over the last year or so I’ve been making the transition back in time to using film rather than my digital’ cameras. In life, I feel I am making a return to a slower and more simple outlook and the return to film for me is part of the process. I tend to use whatever […]

Mamiya C3 and Mamiya-Sekor 80mm f/2.8
Posted in5 Frames..., Articles

5 Frames… With Fujicolor Reala 100 (El 100 / 120 format / Mamiya C3)

Avatar - Vishal Kullarwarby Vishal KullarwarOctober 17, 2019July 31, 2021

After a great deal of thinking I finally got a TLR in my kit. A Mamiya C3, and Mamiya-Sekor 80mm f/2.8 from a thrift shop in Mumbai. The camera had to undergo a good amount of servicing since there was a problem with the film advancing mechanism. After it had been serviced it was time […]

  • Latest
  • Popular
Latest
Popular

New to film photography? Read this:

Related reading

5 Frames With... Ultrafine eXtreme 400 (35MM / EI 400 / Nikon F4) - by Jarrod Hills
5 Frames… With Ultrafine eXtreme 400 (EI 400 / 35mm format / Nikon F4)
Beacons Through Time: East Coast US lighthouses captured on solargraphs
'INDIA' - The Heritage Collection: Ilford Delta 100 Professional black and white film. Hasselblad H1 systems
Film culture: ‘INDIA’ – The Heritage Collection
Cover - Fujifilm: put down your pitchforks, it's survival of the fittest
Fujifilm: put down your pitchforks, it’s survival of the fittest
Cover - Cinematic storytelling part 3 - developing motion picture film v2
Cinematic storytelling part 3: developing motion picture film
My Mamiya RB67 and a Rezivot Instanx Film Back, Jess Hobbs
5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instant Film back
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • Beacons Through Time: East Coast US lighthouses captured on solargraphs
  • 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M
  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
  1. Michael Elliott on How-to: Make DIY your own black and white transparencies (slides)September 26, 2023
  2. Michael Elliott on 5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de VriesSeptember 26, 2023
  3. Michael Elliott on Shooting and developing lightly expired 60-year-old medium format Dekopan F17 black and white filmSeptember 26, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.