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Home » ILFORD Delta 100 Professional » Page 3

Tag: ILFORD Delta 100 Professional

It's me!
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #119: I am Daniel Tim and this is why I shoot film

Avatar - EMby EMDecember 21, 2016October 16, 2020

Welcome one and all!

Self portrait with Leica, Ilford XP2 Super, Leica M6TTL, 2016
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film

Avatar - EMby EMNovember 30, 2016October 16, 2020

I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.

Back? Excellent.

Posted inFilm Photographer Interviews

EMULSIVE interview #91: I am John B Crane and this is why I shoot film

Avatar - EMby EMJune 28, 2016July 1, 2021

Certain readers may recognise today’s interviewee as the man behind http://www.nikonf6.net. I prefer to call him John.

Week 16 2016 – Fuji Acros 100 - (120) EI 100
Posted inArticles

EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)

Avatar - EMby EMJune 22, 2016August 25, 2019

I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.

Monte Sella di Fanes - Mamiya 7ii - Ilford Delta 100 Professional
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film

Avatar - EMby EMMay 12, 2016October 16, 2020

We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria

Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains.

Over

Three Silver Birches - Ilford Delta 100 Professional - Richard Pickup
Posted inArticles, Guides & How-Tos, Opinion

Visualisation for film photographers

Avatar - Richard Pickupby Richard PickupMay 11, 2016July 3, 2021

We’re incredibly proud to bring you the first in what will hopefully be a new series of articles focused on providing a more educational look at certain aspects of film photography.

"Dairy Free" - Kodak Ultramax 400 - St Marks, Manhattan, New York
Posted inInterviews

EMULSIVE interview #75: I am Kevin Luyo and this is why I shoot film

Avatar - EMby EMMay 3, 2016October 16, 2020

It’s the beginning of May, spring is in full bloom (mostly), I for one can feel summer’s imminent arrival – it’s not soon enough.

So, it seems like the perfect time to bring you the work of another young

Electric Couch - Ilford HP5
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #30: I am Matthew Hinther and this is why I shoot film

Avatar - EMby EMOctober 27, 2015October 16, 2020

Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?

Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #15: I am Andrew MacGregor and this is why I shoot film

Avatar - EMby EMSeptember 3, 2015October 16, 2020

“Shooting film and riding steel framed bikes; the life I wanted but never knew existed”.

'Car Salesman', Greece
Posted inInterviews

EMULSIVE interview #2: I am Ron Ritz, MD and this is why I shoot film

Avatar - EMby EMJuly 8, 2015October 16, 2020

Week 2 has rolled on in, so that means another fresh face to talk to about their perspectives on film.
Today we’re very pleased to share the thoughts of Ron Ritz, MD;

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New to film photography? Read this:

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My Pentacon Six + Carl Zeiss Jena Biometar 80mm f:2.8, Jeb Inge
5 Frames… Of symbols of the German Democratic Republic 1990-expired ILFORD HP5 (120 Format / EI 80 / Pentacon Six + Carl Zeiss Jena Biometar 80mm f/2.8)
Canon Demi EE17: The everyday diptych machine
Canon Demi EE17: The everyday diptych machine
Gotta catch 'em all - Fuji Velvia 50 (RVP 50) shot at EI 50. Color reversal (slide) film in 120 format shot as 6x6.
Photography: Gotta catch ’em all – Shot on Fuji Velvia 50 RVP50 (120 format)
Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format - A new color negative favorite
Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite
Resident's association - Shot on ILFORD FP4 PLUS at EI 100. Black and white negative film in 35mm format.Resident's association - Shot on ILFORD FP4 PLUS at EI 100. Black and white negative film in 35mm format.Resident's association - Shot on ILFORD FP4 PLUS at EI 100. Black and white negative film in 35mm format.
Photography: Resident’s association – Shot on ILFORD FP4 PLUS at EI 100 (35mm format)
2016-08-01 - Waiting - Fuji Pro 160NS shot at EI 400. Color negative film in 120 format shot as 6x6. Push processed 1+1:3 stops.
Photography: Waiting – Fuji Pro 160NS (120)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • Beacons Through Time: East Coast US lighthouses captured on solargraphs
  • 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M
  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
  1. don on Meopta Magnifax 4 darkroom enlarger: All you need to knowSeptember 25, 2023
  2. Daily Thompson-Mail on 5 Frames… In Florence on expired ILFORD PAN F PLUS (35mm Format / EI 10 Contax RTS III + Carl Zeiss Distagon 2,8/28mm) – by Julian RuossSeptember 24, 2023
  3. Michael Przewrocki on An early swansong? Reviewing the CONTAX AX: autofocusing manual lensesSeptember 21, 2023
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