These 5 Frames tell the story of how a budget black and white film, an accidental ISO reading, and a last-minute trip to the NE Coast of Ireland turned out to be the perfect storm.
Tag: Canon AE-1 Program
5 Frames … Working with C-41 film during my Frugal Film Project (Konica VX 400 and a Canon AE-1 Program)
It goes without saying that this past year has been a challenging one in more ways than one thanks to the pandemic and its related restrictions. Nevertheless, it has also been a year where innovation and discovery have taken place – at least for me. I signed up this year for the Frugal Film Project […]
5 Frames… Of Portraits on ILFORD HP5 400 (35mm Format / EI 400 / Canon AE-1 Program + Canon FD 50mm f/1.8)
5 Frames… Of Portraits on ILFORD HP5 400 (35mm Format / EI 400 / Canon AE-1 Program + Canon FD 50mm f/1.8) – Tashdique Mehtaj After my first portrait session with Kodak Portra 400, I was excited to try a B&W film. A quick search on Filmfotostore led me to ILFORD HP5 PLUS, an ISO […]
5 Frames… In Lima, Peru on Kodak Portra 400 (35mm Format / EI 400 / Canon AE-1 Program + Canon FD 50mm f/1.8)
My mother cranked out family photos that would feel as at home in a gallery as they do in their cardboard box in the attic. If she never took a certain portrait of me in a diaper, cowboy boots, a ten-gallon hat, and a badge, the world might have forgotten how good of a sheriff […]
5 Frames of portraits in Shillong on Kodak Portra 400 (35mm Format / EI 400 / Canon AE 1- Program + Canon FD 50mm f/1.8)
I had developed a habit or better say GAS since I got my first vintage lens the “Helios 44-2 58mm f2”. However, I was pretty much excited to try out film photography but the bad news for me was that none of the stores in my hometown, Guwahati, Assam had any stores that developed or […]
5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1 Program)
Friendship can be hard at times. Sometimes distance can pry us apart.
EMULSIVE interview #172: I am Joy Celine Asto and this is why I shoot film
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
EMULSIVE interview #122: I am Kikie Wilkins and this is why I shoot film
Welcome one and all!
EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and