• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » ADOX CHS 100

Tag: ADOX CHS 100

Posted inOpinion

A look back at my personal One-Shot-Per-Week challenge of 2021 – by Tim Soderstrom

by Tim SoderstromJune 5, 2022June 5, 2022

…or, forcing myself to take photos on large format film during a pandemic for an entire year. In 2021, I decided to give myself a photo challenge – to take one shot per week, on large format (4×5), for an entire year using. Though at times it certainly was a struggle, I’m happy to say […]

Bay Bridge - Wisner 8”x10” Nikkor 450mm, Ilford HP5+ in Kodak HC-110
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #113: I am Rory Earnshaw and this is why I shoot film

Avatar - EMby EMNovember 10, 2016October 16, 2020

It’s a little difficult to introduce today’s interviewee without resorting to superlatives. I’ve tried and failed. What I will say is that his images evoke feelings of peace and serenity.

  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

Kodak Color Plus 200 and a Vivitar Powershot, Tessa Klingensmith
5 Frames… Of Christmas double exposures on Kodak Color Plus 200 and a Vivitar Powershot (35mm Format / EI 200)
Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200 - by Simon King and Andrew Blowers
Film Notes: Current high-speed films, ILFORD Delta 3200 Professional and Kodak T-MAX P3200
My late grandmother’s Kodak Jiffy Six-20 Series II, Jason Storey
5 Frames… With my late grandmother’s Kodak Jiffy Six-20 Series II, and my first ever roll of 120 (620) film
Building the SCURA
Camera review: The Dora Goodman SCURA pinhole experience
New in: CineStill “just add water” powdered developers and new improved film
The Making of Hitchcock’s California- Vista Visions From the Camera Eye, by Robert Jones with Aimee Sinclair
The Making of Hitchcock’s California: Vista Visions From the Camera Eye
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of Polaroid Color SX-70 Film at the tiny Greek island of Anafi (ISO 160 / Polaroid SX-70 + 116mm f/8 lens) – by George Pavlopoulos
  • Lomography special effect film comparison: Metropolis, Purple, Turquoise, Redscale
  • 5 Frames… Of the Gatineau River on LOW ISO Color film (35mm format / EI 1.6 / Nikon FA + Nikkor 20mm f/2.8D) – by Alex Saucier
  1. Jacob on How to shoot expired film or, no you do not need to add one stop per decadeAugust 9, 2022
  2. Ryan Gabbard on Lomography special effect film comparison: Metropolis, Purple, Turquoise, RedscaleAugust 8, 2022
  3. Ryan Gabbard on Lomography special effect film comparison: Metropolis, Purple, Turquoise, RedscaleAugust 8, 2022
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2022 EMULSIVE.