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film.photography

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Home » 8x10 Format Film

Tag: 8×10 Format Film

Bay Bridge - Wisner 8”x10” Nikkor 450mm, Ilford HP5+ in Kodak HC-110
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #113: I am Rory Earnshaw and this is why I shoot film

Avatar - EMby EMNovember 10, 2016October 16, 2020

It’s a little difficult to introduce today’s interviewee without resorting to superlatives. I’ve tried and failed. What I will say is that his images evoke feelings of peace and serenity.

Craig Pindell - Never Forget - September 11th 2016
Posted inArticles, Film parties, FP4 Party

FP4 Party September 2016 winner announcement

Avatar - EMby EMOctober 10, 2016August 25, 2019

Welcome to the beginning of dev week for #FP4Party #02!

River trail trees after rain - Bobby Kulik
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film

Avatar - EMby EMJuly 5, 2016October 16, 2020

If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.

Deeper
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #92: I am Chris Maliga and this is why I shoot film

Avatar - EMby EMJune 30, 2016October 16, 2020

Chris Maliga’s work has been displayed up and down the US. His work is haunting, can be claustrophobic and often leaves the viewer with a feeling of an image half seen or absorbed.

EMULSIVE 4x5 grid overlay v1
Posted inArticles

Free download: large format camera grid overlay screen

Avatar - EMby EMMarch 28, 2016August 25, 2019

In recent years I’ve turned into more of a do-it-yourself kind of guy. From starting leatherwork a few years back, to getting knee deep other crafts, hacks and mods.

52 Rolls - Flea Market
Posted inArticles, Featured projects

52 rolls 2016 – Call for participants

Avatar - EMby EMDecember 16, 2015October 16, 2020

One camera.

Electric Couch - Ilford HP5
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #30: I am Matthew Hinther and this is why I shoot film

Avatar - EMby EMOctober 27, 2015October 16, 2020

Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?

Inside The Kiva 1472
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #10: I am Craig Pindell and this is why I shoot film

Avatar - EMby EMAugust 18, 2015October 16, 2020

We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher.

Tri-X 120 film (6x4.5cm image size), shot with a Fujifilm GA645Zi compact camera
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #9: I am Ray Rapkerg and this is why I shoot film

Avatar - EMby EMAugust 13, 2015October 16, 2020

We’re back for another look into the mind of a film photographer.

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Paddy whacker - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.
Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)
Some occasional use - Kodak Portra 400 shot at ISO400. Color negative film in 120 format shot as 6x6.
Photography: Some occasional use – Kodak Portra 400 (120)
Weathered - Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format. Cross processed.
Photography: Weathered – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Cover: Using a contact sheet to actively curate an image - by Simon King
Using a contact sheet to actively curate an image
Revolog Kosmo (35mm) , Bronica ETRSi - Nils Karlson- Test Shots
Test shots: Revolog Kosmos (35mm) + Bronica ETRSi
Hard grind - Shot on Kodak BW400CN at EI 400. Black and white negative film in 120 format shot as 6x6.
Photography: Hard grind – Shot on Kodak BW400CN at EI 400 (120 format)
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EMULSIVE
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • Beacons Through Time: East Coast US lighthouses captured on solargraphs
  • 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M
  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
  1. Michael Elliott on How-to: Make DIY your own black and white transparencies (slides)September 26, 2023
  2. Michael Elliott on 5 Frames… Of Zeche Zollverein on Silberra Color 50 (120 Format / EI 125 / Mamiya 645 1000s + Sekor-C 45mm f/2.8, 80mm f/2.8 and 150mm f/4) – by Ernst-Jan de VriesSeptember 26, 2023
  3. Michael Elliott on Shooting and developing lightly expired 60-year-old medium format Dekopan F17 black and white filmSeptember 26, 2023
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