Tag: 5 Frames…
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5 Frames… In my room on ILFORD XP2 Super (35mm format / EI 400 / Leica M4 + Summicron 5cm f/2) – by Simón Ducos
I don’t remember when it started, but at some point in the last five years, I began using photography as a means to explore a place. I believe that with photography, one is always getting to know new areas, or at the very least getting new perspectives on old areas, but it isn’t always with…
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5 Frames… As an ode to unsung photography heroes (Fujifilm NEOPAN 100 ACROS / 35mm format / EI 100 / Nikon F + Nikon Micro-Nikkor 55mm f/2.8)
No, this ode is not about the camera, lens and film mentioned in the headline and shown in the photo below. The praises of NEOPAN 100 ACROS film, the „F“ and the Micro-Nikkor have been proclaimed in countless other contributions on this site and on many others. This is more about a device that lends…
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5 Frames… At the Tatacoa Desert on Kodak Color Plus 200 and a Nikon FM2n (35mm Format / El 200 / Nikon Nikkor 28-105mm AF macro f/3.5-4.5D) – by Juan Roa
I wanted to visit Colombia’s Tatacoa Desert before traveling to the US, and asked my friend Susana if she would like to take a motorcycle trip there. She immediately said YES! We traveled from Cali, and our trip was around 16 hours (driving) and stayed in a wonderful place called Orion camp base, specialises in…
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5 Frames… Of Orwo UN54 in Florence on a Canon FTb (35mm Format / EI 160 / Canon FD 70-210mm f/4.0 zoom lens – by Sergio Palazzi
I discovered the existence of Orwo films during my short, full immersion trip in the changing Berlin of March 1990. Cheap as they were, I bought many BW rolls and used most of them (but some are still waiting in a drawer!). I forgot about Orwo for roughly 25 years, then I tried a reel…
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5 Frames… Through Western Canada on CineStill 400D (35mm Format / EI 400 / Lomography LC-A+) – by Julia Beyer
When I go on vacations where I know that amazing landscapes are awaiting me, the decision of which film and camera to take with me always takes me a long time. I try to think as carefully as possible if the colors of the film match the scenery I expect to see, and the camera…
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5 Frames… Of street photography in Buenos Aires on the Mamiya RB67 (120 format / EI 100 / Kodak T-MAX 100) – by Simón Ducos
In the summer of 2019, I sold my trusty Olympus XA in order to buy my then-dream camera: the Mamiya RB67. Although these cameras are vastly different, the XA being ideal for travel and street photography while the RB is more for studio shoots and still-life, I was convinced that when the time came I…
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5 Frames of… Redscaled Kodak ULTRA MAX 400 (35mm format / EI 100, Canon AE-1 + Canon FD 50mm f/1.8) – by Piper McManamon
A friend of mine told me once that she had a special surprise in mind for a roll of film she was shooting. She left me in the dark about what exactly it was for about a week until the roll was completed and she showed me the results. The photos were all bathed in…
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5 Frames…With expired Boots Universal 400 (EI 400 / 35mm format / Olympus OM-1) – by Ed Worthington
Well, it’s been a spell since I wrote anything here so firstly, hello everyone, I’m back for a bit. Well, kind of. I thought I’d write a series of short articles in the 5 Frames flavour as I’ve had an idea and I’ve missed talking about shooting film with strangers on the internet. If you’re…
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5 Frames… Of Cinestill 50D and a contemporary dancer aka, “Scatter in Four” (120 format / EI 50 / Hasselblad 503CX + Carl Zeiss Planar 80mm f/2.8) – by Abel M
They are the elements with which one afternoon we go out to try to capture the vibration that emotions produce during the dance movement. These five photographs are the first of a photographic project that seeks the relationship of the person with the movement. So the way I found to approach the objective of the…
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5 Frames… Of New York City on ILFORD HP5 PLUS (35mm format / EI 320 / Nikon FM2 + Nikon Nikkor 50mm f/1.2) – by Ray Quy
I’ve primarily been a digital photographer; however, with the pestering of my college friend, I’ve picked up film photography. I grew up watching my father take pictures of me and my family with cameras, one of which is the Nikon FM2 that I used to take these images. And of all of the cameras I’ve…
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5 Frames… Around my Houston neighborhood on Adox CMS 20 II Pro (EI 20 / 35mm Format / Minolta X-700 + MD Rokkor 35mm f/2.8) – by Joseph Jacobs
Hi, my name is Joseph, and I am a recovering analog gear addict (a resounding “Hi Joseph” from the interwebs). Yes…back in 2017, at the beginning of my “analog journey”, I found myself obsessively buying all of the cheap film cameras that Etsy and eBay could offer. They simply looked cool (am I right here,…
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5 Frames… Of Polaroid Color SX-70 Film at the tiny Greek island of Anafi (ISO 160 / Polaroid SX-70 + 116mm f/8 lens) – by George Pavlopoulos
The journey to the island of Anafi takes me more than half a day from Athens, and returning every summer has become something more than a ritual: it’s a seal that marks one more time around the sun. The small Cycladic island doesn’t seem to belong in the digital era, and that’s probably why I…
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5 Frames… Of the Gatineau River on LOW ISO Color film (35mm format / EI 1.6 / Nikon FA + Nikkor 20mm f/2.8D) – by Alex Saucier
In late May I decided to try the slowest film I had shot to date: FPP’s LOW Color negative. This is a standard C-41 process film, rated at a stunning ISO of 1.6, and honestly, I think this is generous. I bracketed my frames, Negative 1-stop, 0, Plus 1-stop, in almost every shoot +1 gave…
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5 Frames… At Beers & Cameras Sacramento on expired Kodak Supra 400 (35mm / EI 25 / Leica M3 with 50mm f/2 Dual-Range Summicron)
Much to the joy of us Northern California film shooters, Beer & Cameras Sacramento recently reawakened after its long Covid slumber. To mark the occasion, I brought my Leica M3, the awesome 50mm f/2 Dual-Range Summicron, and an expired roll of Kodak Supra 400 to their meetup at a local brewery. Of course, the meetup…
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5 Frames… Of ILFORD HP5 PLUS on a shelf queen Kodak Tourist (620 format / EI 400 / Kodet 86mm f/12.5)
Up until the past few years, most of the film cameras that I have in my possession have been for decoration. The small shelves I purchased make them a perfect addition to my home office. On the rare occasion I pick one up, it is usually to dust it off, not to take photos with.…
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5 frames… Of one gas station on 5 different film stocks, using 5 different cameras – By Fayed
I know, I know… We’re all fed up with all of these gas station photos all over Instagram but trust me, none of these photos were shot on CineStill 800T film, yet the results were very interesting! It all started when I went on a different route to work other than my usual, and doesn’t…
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5 Frames… And Five Life Lessons from a Kodak Brownie – by Dan Kehlenbach
Introduced in 1900, the Kodak Brownie was instrumental in bringing photography to the masses. It sold for US$1.00 (around US$44 in 2022 terms), and included film and processing. Essentially a cardboard box with a plastic lens, this simple design revolutionized photography and allowed people from all walks of life to take pictures. My Brownie, the…
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5 Frames… Making mistakes with a Graflex Speed Graphic and Arista Ortho 3.0 4×5 film – by Mark Rutledge
The pandemic lockdown probably spawned lots of new behaviors, routines and interests for many people out of sheer boredom. For me, it resurrected a love for the darkroom. I’m an old film guy having studied fine art film photography in college and used film; large format almost exclusively, in my commercial photography days but that…
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5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)
This trip to New York City was my first time there in about 15 years. I have always admired several photographers who were known for capturing New York street photography. Some of my favorites are Joel Meyerowitz, Vivian Maier, Jill Freeman, Gordon Parks, and Saul Leiter. My work isn’t anywhere close to their incredible street…
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5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant
I am a long-term Leica user, but have always admired the Contax aesthetic and Contax users were usually as enthusiastic about the Zeiss product as Leica users were about the Leitz products. So I recently took the opportunity to acquire fairly elderly Kiev-4a camera and prepared to enjoy the Contax experience. The Kiev-4a is sometimes…