Today’s interviewee is the man once described as “the man with the silkiest voice you’ll ever hear” (by me), Ted Viera. Trust me, I’m not wrong on this one.
Regular readers will be aware that I typically focus on everyday film shooters (like me) for these interviews but the opportunity occasionally arises to sit down with someone very special.
This is one of those times and I’m very
I think one of the first interactions I had with David was in Feb 2017 when he commented “best thread ever” on a Twitter thread I was involved in, which included a stock photo of two shirtless elderly gentlemen having
It’s impossible to understate Tony Vaccaro’s contribution to the 20th century, be it in his role as World War II combatant and documentarian, or his post-war work in fashion and portrait photography.
It’s time for the latest EMULSIVE interview and today’s victim subject is no slouch.
Welcome, welcome, welcome!
Regular readers will remember reading about Yan’s current project, Mother River here on EMULSIVE a couple of weeks ago and I’m, please to be able to finally bring more of her words and work to you in today’s fresh EMULSIVE
I’m very pleased to be able to bring you the work and words of a veritable film photography force of nature – it’s Amy Jasek everyone.
It’s Anil Mistry, everyone. To regular readers or EMULSIVE and listeners of the Sunny16 Podcast, that name should at the very least ring a few bells.
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
Ladies and gentlemen, welcome to the 178th EMULSIVE interview! Today I have great pleasure in introducing you all to Lisa Toboz.
It’s my pleasure to welcome you all to the words and work of occasional EMULSIVE contributor, Clara Araujo. If you haven’t already done so, please do check out her take on portrait photography and double exposure portraiture.
I’m so pleased to be able to bring you the words and work of Ioana Tăut, set in the wonderful world of her instant photography.
Over to you, Ioana!
Hi Ioana, what’s this picture, then?
IT: I randomly
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you’ll be more than familiar with today’s interviewee, Ian Bartlett.
I’m looking forward to this!
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
It’s a pleasure to be able to bring you all the work and words of Joy Celine Asto, whom some of you may remember from her article introducing Manila back at the top of 2017.
It’s wonderful to be able to introduce you today to the wonderful work of film photographer and musician, John Michael Caldwell.
Over to you, John!
Hi John, what’s this picture, then?
Alexis in Dripping SpringsNikon FA, Nikon 50mm f/1.4
It’s a real pleasure to introduce you all to Rob Hawthorn, a photographer who many of you will remember from his stunning travelogue of Yucatan on Kodak AEROCHROME.
Well Rob’s back with something a little different.
Welcome to this week’s EMULSIVE interview.