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Finding Film part 15: Fomapan 400 Action

Finding Film part 15: Fomapan 400 Action

Hello readers, welcome back to another episode of #FindingFilm. This month’s episode is a short one, but something I felt was necessary. Back in Episode 3, I checked out Fomapan for the first time, shooting some Fomapan 200.
Finding Film part 14: Bergger Pancro 400

Finding Film part 14: Bergger Pancro 400

Following on from the last #FindingFilm, I will pick-up where I left off; Happisburgh (Haze-bruh). If you haven’t read my last article, go and check it out. Whilst you do, I’ll just wait here.
Finding Film part 13: ILFORD HP5 PLUS

Finding Film part 13: ILFORD HP5 PLUS

Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I decided to carry on with the Ilford theme, and shoot some HP5, the last of Ilford’s offerings I am yet to try.
ILFORD Delta 400 Professional

Finding Film part 12: Ilford Delta 100 and 400 Professional

Before I begin this month’s #FindingFilm, I’ll give you advance warning. Go and put the kettle on, make a brew, and settle in. This is going to be a long one. Ah Delta……Delta, Delta, Delta.
ILFORD SFX 200 - no filter - 1/125 second, f/11, EI 200

Finding film part 11: ILFORD SFX 200

Welcome back to another round of #FindingFilm! At the time of writing, it has been a while since I have been out with the camera, shooting black and white film.
Rollei Retro 400S - Rodinal 1:25

Finding Film part 10: Rollin' Rollei Retro 80S and 400S

Hello again! It’s that time of the month where I check out another type of black and white medium format film.
Fuji NEOPAN Acros 100 - Rodinal, 1+25 19c, 6.5 minutes

Finding Film part 9: Fumbling Fuji NEOPAN Acros 100

In my last article, I discussed my adventures with the Lomography Lady Gray 400.
Lomography Lady Gray 400 - Rodinal, 1+50 at 19c for 8.5 minutes

Finding Film part 8: Getting to know my Lady Gray 400

Before I start this entry in the series, just a small disclaimer: Lomography UK very kindly sent me some film to try out for the #FindingFilm series - thanks guys, I really appreciate that.
ILFORD Pan F+ - Rodinal 1+25, 21c, 6 minutes

Finding film part 6: taking it slow with ILFORD Pan F Plus

Having had a lot of very average weather lately, I was delighted to see a weekend of sunshine!
Kodak T-MAX 400 (120) - 20c, 1+4, 8 minutes and 08 seconds

Finding film part 5: All GAS-ed up and time for T-MAX 400

Late March 2017: During my last article I touched on the fact that I was beginning to get stuck in a photographic rut.
ILFORD FP4+ (EI 200) - ILFORD DDX stand (1+4, 12 min, 18c)

Finding film part 4: ILFORD FP4+ strikes back

Welcome back to my year long series discovering film stocks: finding film. This week’s article takes a slight deviation from the norm, in that I am using a film I have already used before; ILFORD FP4+.
Fomapan 200 Creative (120) - Rodinal (1+25) / 05:15 / 19c

Finding film part 3: Czeching out Fomapan

Welcome to part three of my journey with film in 2017. As you read in part one and part two, throughout 2017 I'll be sharing my experiences with different medium format films and developers – all new to me.
Kodak TRi-X 400 (120) - Rodinal 1+9 / 20c

Finding film part 2: expanding my horizons with Kodak Tri-X 400, Rodinal and Ilford...

Welcome to part two of my journey with film in 2017.
"Holkham", Yashica Mat-124G, Ilford FP4, Self-developed in Ilfosol 3 (1+9, 4:10)

Finding Film part 1: experiences so far

Hello EMULSIVE community! My name is Tom Rayfield, by day I am a secondary school teacher from Norfolk, UK. I am a passionate film shooter, who loves to shoot medium format black and white film photography.
Cover: Color drama - Negative Lab Pro and finding the right workflow for scanning color film at home

Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film...

What if you had a scanning solution for color negative and black and white film that enabled you to scan and convert a whole roll of 35mm film in less than 15 minutes and all that in next to
Cover - Where are my effing pictures?

Where are my effing pictures? Or, finding an archive system for my film photography...

In 2009 I bought my third digital camera, a little Panasonic Lumix LX3 to complement my somewhat chunkier DSLR. In 2012 I sold it, partly to fund its replacement, a Sony RX100.
This is FP4 PLUS rated at EI 64. The shadows are far more under control and drop away to black in a controlled way. This is a very flexible negative that can be printed in a number of styles. The downside is that it is very demanding in terms of the flash power I needed to make the picture - Tobias Key

Film review: finding my ‘do anything’ film for 4×5….a tale of ILFORD FP4 PLUS...

I have been shooting 4x5 for about five years. I use it for much of my personal work, and love the tonality and rendering it gives my images.
Film stock review: Fujifilm FUJICHROME Velvia 50 Professional (RVP 50)

Film stock review: Fujifilm FUJICHROME Velvia 50 Professional (RVP 50)

I think there’s a pretty big misconception about shooting slide film. We’ve all heard the stories about how slide film is ridiculously...
My year on film: A 2019 retrospective or, my not-a-365-project

My year on film in 115 photos: A 2019 retrospective or, my not-a-365-project

What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...