5 Frames...

My Mamiya RB67 and a Rezivot Instanx Film Back, Jess Hobbs

5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instand Film back – by Jess Hobbs

My Mamiya RB67 and I go back a long way, beside a dumpster at a Tim Horton’s (a donut and coffee shop for those of …

Read more5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instand Film back – by Jess Hobbs

5 Frames... With Lomography CN 400 on an uncoated lens (35mm Format / EI 200 / Leica M6 + Voigtländer 35mm f/1.4 Nokton-Classic SC) - by Miguel Melo

5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC) – by Miguel Melo

When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), …

Read more5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC) – by Miguel Melo

Cover - 5 Frames... Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f_5.6 (120 format _ EI 100) - by Reza Rostampisheh

5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100) – by Reza Rostampisheh

Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late …

Read more5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100) – by Reza Rostampisheh

5 Frames... Along London’s Regents Canal and West End on Svema Color 125 (35mm Format / EI 125 / Canon EOS 300 + Canon 28-80 f/3.5-5.6) - by Cliff McMahon-Docherty

5 Frames… Along London’s Regents Canal and West End on Svema Color 125 (35mm Format / EI 125 / Canon EOS 300 + Canon EF 28-80 f/3.5-5.6) – by Cliff McMahon-Docherty

Having been sucked into digital in the early naughties and bled dry by four-figure kit purchases it was time hail out the modest EOS 300 …

Read more5 Frames… Along London’s Regents Canal and West End on Svema Color 125 (35mm Format / EI 125 / Canon EOS 300 + Canon EF 28-80 f/3.5-5.6) – by Cliff McMahon-Docherty

My Fuji GS645 Professional and Fuji Pro 400H, Zhan Teh

5 Frames… Of West End Brisbane on Fuji Pro 400H (EI 200 / 120 Format / Fujica GS645 Professional) – by Zhan Teh

5 Frames… Of West End Brisbane on Fuji Pro 400H (EI 200 / 120 Format / Fujica GS645 Professional) – by Zhan Teh West End, …

Read more5 Frames… Of West End Brisbane on Fuji Pro 400H (EI 200 / 120 Format / Fujica GS645 Professional) – by Zhan Teh

5 Frames... Of trichromes with ILFORD FP4 PLUS (35mm Format : EI 125 : Canon EOS 1n + Canon EF 24mm f2.8) - by Anthony Pearson

5 Frames… Of trichromes with ILFORD FP4 PLUS (35mm Format / EI 125 / Canon EOS 1n + Canon EF 24mm f/2.8) – by Anthony Pearson

When my local Max Spielmann closed for lockdown, I lost my go-to for colour film processing. I couldn’t face going cold turkey, and haven’t got …

Read more5 Frames… Of trichromes with ILFORD FP4 PLUS (35mm Format / EI 125 / Canon EOS 1n + Canon EF 24mm f/2.8) – by Anthony Pearson

5 Frames… With Lomography Potsdam Kino 100 on a Mamiya 645 AFD (120 Format / EI 100) – by Tyler Longfellow

I have been wanting to try this film for a while now, ever since it was announced. I loved the look, the tones, the grain, …

Read more5 Frames… With Lomography Potsdam Kino 100 on a Mamiya 645 AFD (120 Format / EI 100) – by Tyler Longfellow

My Yashica Mat-124G, Aivaras Sidla

5 Frames… Of my first time trying Kodak EKTACHROME E100 on a Yashica Mat-124G – by Aivaras Sidla

From the start of my “film shooters career” I was shooting either negative color film or BW negative film. My favorite emulsions were and still …

Read more5 Frames… Of my first time trying Kodak EKTACHROME E100 on a Yashica Mat-124G – by Aivaras Sidla

Schneider G-Claron 355mm f/11

5 frames with 11-year expired Era Pan 100 on a Richard Ritter 7×17 ULF View Camera – by Andrew Keedle

Many lifetimes ago but mainly before family, I did a lot of film photography. I had a small darkroom, shot 35mm, medium format, large format …

Read more5 frames with 11-year expired Era Pan 100 on a Richard Ritter 7×17 ULF View Camera – by Andrew Keedle

My Canon FTb QL + Canon FD 50mm f/1.8, Robert Guanci

5 Frames… With ILFORD HP5 PLUS (35mm Format / El 800 / Canon FTb QL + Canon FD 50mm f/1.8) – by Robert Guanci

2020 has been a tough year. The shutdown brought on by Covid-19 put a damper on a lot of things we all love, most importantly, …

Read more5 Frames… With ILFORD HP5 PLUS (35mm Format / El 800 / Canon FTb QL + Canon FD 50mm f/1.8) – by Robert Guanci

My late grandmother’s Kodak Jiffy Six-20 Series II, Jason Storey

5 Frames… With my late grandmother’s Kodak Jiffy Six-20 Series II, and my first ever roll of 120 (620) film – by Jason Storey

As if the year 2020 couldn’t get any worse for all of us; It was also the year in which I lost my grandfather. He …

Read more5 Frames… With my late grandmother’s Kodak Jiffy Six-20 Series II, and my first ever roll of 120 (620) film – by Jason Storey

My Rolleiflex 2.8GX, Aivaras Sidla

5 frames… of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX – by Aivaras Sidla

I’m getting back to my “summer experiment” -– testing medium format slide film. This time I’d like to share results from FujiFilm Velvia 50. Why …

Read more5 frames… of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX – by Aivaras Sidla

5 Frames of portraits in Shillong on Kodak Portra 400 (35mm Format / EI 400 / Canon AE 1- Program + Canon FD 50mm f/1.8) - by Tashdique Mehtaj

5 Frames of portraits in Shillong on Kodak Portra 400 (35mm Format / EI 400 / Canon AE 1- Program + Canon FD 50mm f/1.8) – by Tashdique Mehtaj

I had developed a habit or better say GAS since I got my first vintage lens the “Helios 44-2 58mm f2”. However, I was pretty …

Read more5 Frames of portraits in Shillong on Kodak Portra 400 (35mm Format / EI 400 / Canon AE 1- Program + Canon FD 50mm f/1.8) – by Tashdique Mehtaj

5 Frames... Of life in Mexico during quarantine (Kodak UltraMax 400 / 35mm Format / EI 400) - by Gerardo Montoya

5 Frames… Of life in Mexico during quarantine (Kodak UltraMax 400 / 35mm Format / EI 400) – by Gerardo Montoya

All these frames were shot with my Minolta X-700 and a Minolta MD Rokkor 50mm f/1.7, the combination that made me discover my passion for …

Read more5 Frames… Of life in Mexico during quarantine (Kodak UltraMax 400 / 35mm Format / EI 400) – by Gerardo Montoya

My Nikon Nikkor-S 50mm f/1.2, Guilherme Maranhão

5 Frames… With a beat-up Nikkor-S 55mm f/1.2 on Kodak Plus-X (EI 125 / 35mm / Nikon FM2) – by Guilherme Maranhão

The Nikon Nikkor-S 55mm f/1.2 is a lens I always wished for but never had a chance to have before this particular specimen appeared. Most …

Read more5 Frames… With a beat-up Nikkor-S 55mm f/1.2 on Kodak Plus-X (EI 125 / 35mm / Nikon FM2) – by Guilherme Maranhão

5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5) – by Adam Welch

The fisherman were already there that morning. They had arrived long before sunrise with their reels and lines and pole holders made from cut off …

Read more5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5) – by Adam Welch

My Contax T2, Mihai Dascalu

5 (8) Frames of „Detritus / Nuovi” in Bucharest on Kodak Portra 400 ( 35mm / EI 400 / Contax T2) – by Mihai Dascălu

Bucharest is a mix of old and new, beautiful and tasteless architecture mashed together in a dance of the absurd, visual clashes sprinkled at every …

Read more5 (8) Frames of „Detritus / Nuovi” in Bucharest on Kodak Portra 400 ( 35mm / EI 400 / Contax T2) – by Mihai Dascălu

My Bilora Bella 66-3, Massimo Fagni

5 Frames… Of Lucca, Tuscany on a Bilora Bella 66-3 (120 Format / EI 400 / Fomapan 400 Action) – by Massimo Fagni

I was fascinated by the compactness and vintage colors with which this machine was built and also by the extreme simplicity of the commands with …

Read more5 Frames… Of Lucca, Tuscany on a Bilora Bella 66-3 (120 Format / EI 400 / Fomapan 400 Action) – by Massimo Fagni

5 Frames… Of the Downtown Summerlin on Cinestill 800T (120 Format / EI 800 / Certo Six + Tessar 80mm f/2.8) – by Alex Morrison

Ever since getting back into analogue photography, the Cinestill range of films has intrigued me. Living in Las Vegas, the City of Lights, I’ve been …

Read more5 Frames… Of the Downtown Summerlin on Cinestill 800T (120 Format / EI 800 / Certo Six + Tessar 80mm f/2.8) – by Alex Morrison