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Home » Mamiya 645 AFD Film Camera

Tag: Mamiya 645 AFD Film Camera

Posted in5 Frames..., Articles

5 Frames… With Lomography Potsdam Kino 100 on a Mamiya 645 AFD (120 Format / EI 100)

Avatar - Tyler Ross Longfellowby Tyler Ross LongfellowOctober 8, 2020July 31, 2021

I have been wanting to try this film for a while now, ever since it was announced. I loved the look, the tones, the grain, just everything about the film. Well, I finally bought a roll, loaded it up in my Mamiya 645 AFD with my 150mm f/3.5 AF (because I need to use this […]

5 Frames With... Kodak Ektar 100 (EI 100 / 120 format / Mamiya 645 AFD) - by Jason Archer
Posted in5 Frames..., Articles

5 Frames… On Kodak Ektar 100 at night (EI 100 / 120 format / Mamiya 645 AFD)

Avatar - Jason Archerby Jason ArcherApril 12, 2020July 31, 2021

Each time I have shot a roll of Kodak Ektar 100 it has seemed difficult to achieve the types of beautiful images I have witnessed other…

My Mamiya 645 AFD
Posted in5 Frames..., Articles

5 Frames… With ILFORD XP2 SUPER (EI 1600 / 120 format / Mamiya 645 AFD)

Avatar - Tyler Ross Longfellowby Tyler Ross LongfellowFebruary 29, 2020July 31, 2021

These photos are of a friend/coworker of mine. Since his roommate’s work had just received a RED Cinema camera and a set of Atlas anamorphic lenses that they were renting, he and his roommate had the idea to do a video shoot of a McRib deal in a warehouse to test out the camera and […]

Shanghai GP3 (120, EI 100) - Mamiya 645 AFD, 80mm f/2.8 - David Toman
Posted in5 Frames..., Articles, Darkroom printing

5 Frames… With Shanghai GP3 (EI 100 / 120 format / Mamiya 645 AFD)

David "I've never had GAS" Tomanby David TomanNovember 19, 2018July 31, 2021

Back when I first got into medium format film photography via the gateway drug of folding bellows cameras, I was outbid at the last second for a Mamiya RB67 kit.

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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