Tag: Slide Film – Color Reversal
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Photography: Don’t head towards the light – Shot on Kodak EKTACHROME E100G at EI 1600 (35mm format)
Shot on Kodak EKTACHROME E100G at EI 1600Color reversal (slide) film in 35mm formatCross processed and push processed 4-stopsRicoh GR1s + GR Lens 28mm f/2.8 lens Read the Kodak EKTACHROME E100G review here.
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Photography: Blergh – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200Color reversal (Slide) film in 35mm format
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Photography: Split #07 – Shot on Kodak EKTACHROME E100 at EI 100 (35mm format)
Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 35mm formatNikon F100 and Nikkor 50mm f/1.8 AF-D Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800.
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Photography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide
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Photography: Bound – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Bound Shot on Fuji Provia 100F (RDP
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Photography: Tussled – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Tussled Shot on Fuji Provia 100F (RDP
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Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)
Paddy Whacker Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Lookout – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Lookout Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Candlesticks – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Candlesticks Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Shrooming – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Shrooming Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.
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Photography: Spent – Kodak EKTACHROME 200 – E200 (120)
Spent Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.
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Photography: Hung to dry – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Hung to dry Shot on Kodak EKTACHROME 200 (E200) at EI 200. Color reversal (slide) film shot as 6×6.
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Photography: Don’t fret – Kodak EKTACHROME 100VS – E100VS (120)
Don’t fret Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Ant bridge – Shot on Kodak EKTACHROME 100VS at EI 200 (120 Format)
Ant bridge Shot on Kodak EKTACHROME 100VS at EI 200. Color reversal (slide) film in 120 format shot as 6×6. Push processed 1-stop, cross processed.
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Photography: Buoy oh buoy! – Fuji Provia 100F – RDP III (120)
Buoy oh buoy! Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Shoreline – Shot on Kodak EKTACHROME Professional Plus 100 – 6005 at EI 100 (120 format)
Shoreline Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6×6.
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Photography: 50/50 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
50/50 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Spring buds #02 – Fuji Provia 400X – RXP (120)
Spring buds #02 Shot on Fuji Provia 400X (RXP) at EI 800 Color reversal (slide) film in 120 format shot as 6×6 Hasselblad 32E 1-stop push
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Photography: Purrrple – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Purrrple Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Hasselblad 32E Push processed 1-stop Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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