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Medium format first timer: a few months on with the Hasselblad...

It's been a few months now since I came into the world of medium format and became a Hasselblad owner.

Review: Kodak Film Strip Creator – by Kikie Wilkins

One of the really neat things seen at the Kodak booth during the 2018 CES show in Las Vegas was a lightbox featuring customized strips of 35mm film.

Gear review: the Peak Design Slide Lite (v2)

At the end of 2017 the folks over at Peak Design were kind enough to send me the latest version (v2) of their Slide Lite camera strap to try out.

Camera review: Mamiya RB67 Pro-S – by Scott McClarin

What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today.

Film stock review: Lucky New SHD 100 Part 3 – 35mm...

Welcome to part three of my review of Luckyfilm's NEW SHD 100 black and white negative film, this time describing the film shot at EI 400 and bracketed +/- 1 stop of under and overexposure.     Series structure Part

Film stock review: Lucky New SHD 100 Part 2 – 35mm...

Welcome to part two of my review of Luckyfilm's NEW SHD 100 black and white negative film.

Camera Review: Me and my Mamiya RB67 Pro-S – by Rob...

Having read a couple of reviews on EMULSIVE from proud owners of other medium format gear (Daniel J.

Camera review: the Olympus MJU-II (Olympus Stylus Epic)

I'd been scouring eBay for an Olympus MJU-II cameras for ages.

Film stock review: Kodak Professional Portra 400BW

Well here's something you don't see every day or every week for that matter.

Film stock review: Kodak VISION3 250D (5207) motion picture film

The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo...oh, and the upcoming Star Wars: Episode VII. What do all these movies have in common?

Film stock review: Fujifilm FUJICHROME Velvia 100 (RVP 100) in 35mm,...

I've not always had the best time shooting Fujifilm's Velvia 100 over the years, or to give it it's proper name, Fujifilm FUJICHROME Velvia 100.

Experiments: cross processing and push processing Fuji Provia 100F (RDP III)

Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and

Experimenting with Rollei Superpan 200 (with bonus infrared)

Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.

Film stock review: ILFORD FP4 PLUS in 35mm, 120 format and...

Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.

Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+...

Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.

Experiments: cross processing and pushing Kodak EKTACHROME 100VS (E100VS)

Picking up from the original review, I'm going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.

Film stock review: LomoChrome Turquoise XR 100-400 – 35mm and 120...

A lot of film shooters give The Lomographic Society a hard time and I've often asked myself why.

Film stock review: Kodak TRI-X 400 black and white negative film...

Kodak TRI-X 400 is the film you want if you're looking for a consistently flexible film that's reliable in all kinds of conditions and to be fair, if you're reading this, you're probably already shooting it.

Film stock review: Fuji Provia 100F (RDP III) color slide film...

Today we'll be reviewing Fuji's Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.

Film stock review: Rollei Superpan 200 black and white negative film...

Welcome to this review of Rollei Superpan 200 black and white film in 120 format.