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It's been a few months now since I came into the world of medium format and became a Hasselblad owner.
One of the really neat things seen at the Kodak booth during the 2018 CES show in Las Vegas was a lightbox featuring customized strips of 35mm film.
What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today.
Welcome to part three of my review of Luckyfilm's NEW SHD 100 black and white negative film, this time describing the film shot at EI 400 and bracketed +/- 1 stop of under and overexposure. Series structure Part
Welcome to part two of my review of Luckyfilm's NEW SHD 100 black and white negative film.
Having read a couple of reviews on EMULSIVE from proud owners of other medium format gear (Daniel J.
I'd been scouring eBay for an Olympus MJU-II cameras for ages.
Well here's something you don't see every day or every week for that matter.
The Imitation Game, Les Miserables, Lincoln, The Wolf of Wall Street, 12 Years a Slave and Argo...oh, and the upcoming Star Wars: Episode VII. What do all these movies have in common?
I've not always had the best time shooting Fujifilm's Velvia 100 over the years, or to give it it's proper name, Fujifilm FUJICHROME Velvia 100.
Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect. In this article, we'll be talking about pushing, cross processing and
Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Picking up from the original review, I'm going to talk about experiment with Kodak EKTACHROME E100VS and the kinds of results you can expect from pushing and cross processing the film and then pushing and cross processing this film.
A lot of film shooters give The Lomographic Society a hard time and I've often asked myself why.
Kodak TRI-X 400 is the film you want if you're looking for a consistently flexible film that's reliable in all kinds of conditions and to be fair, if you're reading this, you're probably already shooting it.
Today we'll be reviewing Fuji's Provia 100F (RDP III) color slide film. Provia 100F is one of my go-to slide films when I want flexibility and true-to-life color.
Welcome to this review of Rollei Superpan 200 black and white film in 120 format.
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