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Photography: You’ve got me spinning – ILFORD FP4 PLUS (35mm format)

You've got me spinning ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review. You've got me spinning Ilford FP4+ shot at EI 400.

Photography: Taking out the trash – ILFORD FP4 PLUS (35mm format)

Taking out the trash ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.      

Photography: Steamroom – Ilford FP4+ (35mm)

Steamroom Ilford FP4+ shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops    

Photography: The gatekeeper – ILFORD FP4 PLUS (35mm format)

The gatekeeper ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.    

My return to film: Adib Mufty

Indulge me a brief stroll down memory lane. It was during the fall of 2004 when I was first exposed to photography through a course at university.

Photography: Selfie – Macophot Ortho 25 (35mm)

Selfie Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format        

Photography: Morning prep – Kodak ELITE Chrome 100 – EB-3 (35mm)

Morning prep Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100 Color reversal (slide) film in 35mm format        

Photography: Arched – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

Arched Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format.        

Photography: Blessing and happiness for friends – Lomochrome Purple XR 100-400...

Blessing and happiness for friends Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format          

Photography: Fixer-upper – Kodak PROFESSIONAL ELITE Chrome 100 – EB-3 (35mm)

Fixer-upper Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100. Color reversal (slide) film in 35mm format.        

Photography: Through the crack – Shot on Kodak Ektar 100 at...

Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development          

Photography: Hitachi 1969 – Lomography Purple XR 100-400 (35mm)

Hitachi 1969 Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format        

Photography: Slow day – Ilford Delta 100 Professional (35mm)

Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops        

Photography: Stone, rubber and steel – Macophot Ortho 25 – (35mm)

Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format        

Photography: Generational distractions – Shot on Fuji Neopan 400 at EI...

Generational distractions Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format      

Photography: Pediment – Kodak ULTRA MAX 400 (35mm)

Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two stops.    

Photography: Bowed – Ilford Pan 100 (35mm)

Bowed Ilford Pan 100 shot at EI 100 Black and white negative film in 35mm format      

EMULSIVE interview #117: I am Alex Luyckx and this is why...

Alex Luyckx. For me it's a name synonymous with an irascible passion for film.

EMULSIVE interview #116: I am Richard Pickup and this is why...

I'm hoping you remember today's interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven't read it yet head on over, we'll wait. Back? Excellent.

Photography: Blown over over blown – New Oriental Seagull 400

Blown over over blown Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format      

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