Tag: Nikon
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Photography: Hitachi 1969 – Lomography Purple XR 100-400 (35mm)
Hitachi 1969 Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Slow day – Ilford Delta 100 Professional (35mm)
Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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Photography: Stone, rubber and steel – Macophot Ortho 25 – (35mm)
Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format
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Photography: Generational distractions – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Generational distractions Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Pediment – Kodak ULTRA MAX 400 (35mm)
Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two stops.
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Photography: Bowed – Ilford Pan 100 (35mm)
Bowed Ilford Pan 100 shot at EI 100 Black and white negative film in 35mm format
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EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film
Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Photography: Blown over over blown – New Oriental Seagull 400
Blown over over blown Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: One half and two quarters – Fuji Neopan 400CN (35mm)
One half and two quarters Fuji Neopan 400CN shot at EI 200 Black and white film in 35mm format
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Why shoot film? – Kayla Medica
So…why shoot film? I bought my first film camera five years ago as a 17th birthday present to myself.
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Photo story – Beauty from disaster
I’ll keep this short. I’d like to present a ten-step process that may help you to obtain beauty from disaster (as I did below).
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Mumbai 03: Heat tempered
MUMBAI-Nothing comes easily in India. At times it feels as if everything from the bureaucracy to nature itself is out to thwart whatever you are trying to do.
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Photography: Arch-ception – Shot on Fujicolor 100 at EI 100 (35mm format)
Arch-ception Shot on Fujicolor 100 shot at EI 100Color negative film in 35mm format Arch-ceptionFujicolor 100 shot at EI 100.Color negative film in 35mm format.
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EMULSIVE interview #96: I am David Rothschild and this is why I shoot film
Today’s interviewee is a real treat, I’m honoured to me able to introduce you to David Rothschild, a native Virginian photographer an musician with a interesting adoration of naked trees and old houses. Over to you, David. Hi
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EMULSIVE interview #91: I am John B Crane and this is why I shoot film
Certain readers may recognise today’s interviewee as the man behind www.nikonf6.net. I prefer to call him John.
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EMULSIVE interview #90: I am Walter Rothwell and this is why I shoot film
A big welcome to Walter Rothwell! Well travelled and widely exhibited, it’s a real pleasure to be able to share the work of such a relented and experienced photographer on these pages.
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EMULSIVE interview #85: I am Morgann Gicquel and this is why I shoot film
I managed to grab some time with today’s interviewee as he was making preparations for this year’s Canner Film Festival.
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Mumbai 01: Pushan, Saint Christopher and Loki Walk into a Bar
MUMBAI–The smell hits you first. From the first moment India surrounds you, absorbs you into its atmosphere, its rush and flow. You have spent hour upon hour in the grey, nowhere interzone of the jet-plane.
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Photography: Free space – ILFORD Delta 400 Professional shot at EI 400 (35mm format)
Free space ILFORD Delta 400 Professional shot at EI 400Black and white film in 35mm format Free space – Ilford Delta 400 Professional shot at EI 400.