Tag: Nikon Nikkor 50mm f/1.2 AI-S
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5 Frames… Of canals, locks, floodgates, sluices, and levees on ILFORD XP2 Super (35mm / EI 320 + Y48 Filter / Nikon F3 + MD-4 / 50mm 1.2 AI-s) – by Patrick Gillin
ILFORD XP2 Super often gets a bad rap, as did the C41 B&W offerings from Fuji and Kodak before they were canned. I started shooting it while home from university for holidays and summers, since I could get it inexpensively and easily processed near my parents’ house rather than bringing the exposed film back to…
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5 Frames… Of New York City on ILFORD HP5 PLUS (35mm format / EI 320 / Nikon FM2 + Nikon Nikkor 50mm f/1.2) – by Ray Quy
I’ve primarily been a digital photographer; however, with the pestering of my college friend, I’ve picked up film photography. I grew up watching my father take pictures of me and my family with cameras, one of which is the Nikon FM2 that I used to take these images. And of all of the cameras I’ve…
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Photography: Pretty boy – Shot on Fujifilm NEOPAN 100 ACROS II at EI 400 (35mm Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 400 (read the ACROS vs ACROS II comparison here)Black and white negative film in 35mm formatNikon FM3a + Nikon Nikkor 50mm f/1.2 AI-S Development notesKodak HC-110 1+31 (B): 20°C/68°F, 10:00 (N+2)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5 minute rinse
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Travelling with film: My Sri Lankan travelogue
I suspect it’s a common dilemma, you’ve booked a holiday with your partner (and or family/friends) and there’s no doubt the destination was influenced by potential photographic opportunities. How on earth are you going to balance wanting to take lots of photos with what other people want to do?!
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Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
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Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
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Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
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Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01 EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process) EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development) EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
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Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format
‘lil stunner Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops. Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested. ‘lil stunnerShot on Kodak
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Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1 The images below form part
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Photography: In the shadows – shot on Efke KB25 at EI 25 (35mm format)
In the shadows Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2 Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions
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Photography: Longan – Shot on Efke KB25 at EI 25 (35mm format)
Longan Shot on Efke KB25 at EI 25Black and white negative film in 35mm formatNikon FM3A / Nikkor 50mm f/1.2 Development notesFF No.1 Monobath: 21°C/70°F, 06:00 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30
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Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)
1000 layers Shot on Lomography Color Negative 800 at EI 800 Color negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S 1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon
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Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)
Spray Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak
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Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)
Journey’s end Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial agitation
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Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)
Old timer Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial
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Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)
Confusion Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak
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Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
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Photography: Street art – Shot on Fuji Superia 400 Premium at EI 400 (35mm format)
Street art Shot on Fuji Superia 400 Premium at EI 400 Color negative film in 35mm format
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Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops
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