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Finding film part 6: taking it slow with ILFORD Pan F...

Having had a lot of very average weather lately, I was delighted to see a weekend of sunshine!

Long exposure film tests part two: ILFORD HP5 PLUS, ILFORD Delta...

Welcome to part two of my long exposure test results.

Finding film part 5: All GAS-ed up and time for T-MAX...

Late March 2017: During my last article I touched on the fact that I was beginning to get stuck in a photographic rut.

Film stock review: Bergger Pancro 400 Part 2 – 35mm EI...

UPDATE: Part three, EI 1600 bracketed +/- 1 stop is here.

Finding film part 4: ILFORD FP4+ strikes back

Welcome back to my year long series discovering film stocks: finding film. This week’s article takes a slight deviation from the norm, in that I am using a film I have already used before; ILFORD FP4+.

Bag review: The Billingham Hadley One part one – first impressions

UPDATE: Part two of this review - "one year on" - is here. A few weeks ago, the lovely folks over at Billingham got in touch to ask if I wanted to review one of their new bags

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome to the sixth and final part of the AEROgraphic project series.

Finding film part 3: Czeching out Fomapan

Welcome to part three of my journey with film in 2017. As you read in part one and part two, throughout 2017 I'll be sharing my experiences with different medium format films and developers – all new to me.

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome to part five - the penultimate part - of the AEROgraphic project. In this article you will finally be finishing your build.

Travelogue: Australia part three – Tasmania

Today we're welcoming Sarah Arnoff back with part three of her Australian travelogue.

Working with Paper Negatives – Part 3: At work in the...

Welcome to part three of my series on photography using paper negatives aka photographic paper! If you're new to the series, please take a moment to read the preceding parts before diving in.

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome to the final stretch. If you've made it this far then you're very close to seeing your AEROgraphic project come together.

Finding film part 2: expanding my horizons with Kodak Tri-X 400,...

Welcome to part two of my journey with film in 2017.

Film stock review: Bergger Pancro 400 Part 1 – 35mm EI...

UPDATE: Part two: EI 800 bracketed +/- 1 stop is hereRead part two of this series, exploring Pancro 400 shot at EI 800 and bracketed +/- 1 stop here! You may have seen this recent article covering all the

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome to part three of the AEROgraphic Project! There's no time for preamble, as this is where things start to get really interesting (and fun).

Welcome to #TMAXParty 2017 – Celebrating Kodak TMAX 100, 400 and...

Walking in the very large footprints of FP4Party is the first film party brought to you by EMULSIVE in 2017 - welcome to #TMAXParty! Shoot a roll or sheet of any version of Kodak T-MAX, new or old in any

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

Welcome back for part two of the naked Aero Ektar Speed Graphic project.

Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part...

This is the first of a six-part series in which I will describe the process of creating a "naked" Graflex Pacemaker Speed Graphic 4x5 camera and Kodak Aero Ektar lens combination;

Finding Film part 1: experiences so far

Hello EMULSIVE community! My name is Tom Rayfield, by day I am a secondary school teacher from Norfolk, UK. I am a passionate film shooter, who loves to shoot medium format black and white film photography.

Long exposure film tests part one: ILFORD PAN F+, ILFORD FP4+,...

Long exposure film photography is a technique central to my currently ongoing photography project, Where We Meet. Capturing the smooth extensions of water movement, contrasted with static elements of the shoreline is the key to this visual narrative.

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