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Finding Film part 14: Bergger Pancro 400

Following on from the last #FindingFilm, I will pick-up where I left off; Happisburgh (Haze-bruh). If you haven’t read my last article, go and check it out. Whilst you do, I’ll just wait here.

Why shoot film part 2: seeking the Hasselblad XPan – by...

It has been a couple of months since my first post, on Why I Shoot Film, and I thought that now would be a great time to provide an update.

Finding Film part 13: ILFORD HP5 PLUS

Having finished my rolls of ILFORD Delta 100 and 400 Professional for part 12 of this series, I decided to carry on with the Ilford theme, and shoot some HP5, the last of Ilford’s offerings I am yet to try.

Finding Film part 12: Ilford Delta 100 and 400 Professional

Before I begin this month’s #FindingFilm, I’ll give you advance warning. Go and put the kettle on, make a brew, and settle in. This is going to be a long one. Ah Delta……Delta, Delta, Delta.

Why shoot film part 1: the Leica CL – by Simon...

Although I'm still only starting out with my exploration of film photography I have a few images already that I feel indicate where my style and taste will arrive. The images I shoot on film are very distinct from my

Finding film part 11: ILFORD SFX 200

Welcome back to another round of #FindingFilm! At the time of writing, it has been a while since I have been out with the camera, shooting black and white film.

Finding Film part 10: Rollin' Rollei Retro 80S and 400S

Hello again! It’s that time of the month where I check out another type of black and white medium format film.

Film stock review: Lucky New SHD 100 Part 3 – 35mm...

Welcome to part three of my review of Luckyfilm's NEW SHD 100 black and white negative film, this time describing the film shot at EI 400 and bracketed +/- 1 stop of under and overexposure.     Series structure Part

Film stock review: JCH Streetpan 400 Part 1, 120 format EI...

Having shot and experimented with a fair bit of 35mm JCH Streetpan 400 this past year or so, it's no secret that I've been itching to get my hands on it in 120 roll film format since it was

Long exposure film tests part three: Kodak Professional Ektar 100, Portra...

Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.

Finding Film part 9: Fumbling Fuji NEOPAN Acros 100

In my last article, I discussed my adventures with the Lomography Lady Gray 400.

Film stock review: Bergger Pancro 400 Part 7 – 120 EI...

Welcome to part seven of my Bergger Pancro 400 review series.

Film stock review: Lucky New SHD 100 Part 2 – 35mm...

Welcome to part two of my review of Luckyfilm's NEW SHD 100 black and white negative film.

Film stock review: Bergger Pancro 400 Part 6 – 35mm EI...

It's about time to wrap up the part of this series that covers Bergger's 35mm Pancro 400 film with something a bit special: reversal development results. Before you start scratching your head or disappear altogether, allow me a minute or

Film stock review: FERRANIA P30® ALPHA Part 1 – 35mm EI...

UPDATE: Scott Micciche has published part one of his extensive FERRANIA P30 tests. A best practices guide showing results from six developers in eight development schemes. This article forms part one of a multi-part review series.

Finding Film part 8: Getting to know my Lady Gray 400

Before I start this entry in the series, just a small disclaimer: Lomography UK very kindly sent me some film to try out for the #FindingFilm series - thanks guys, I really appreciate that.

Film stock review: Lucky New SHD 100 part 1 – 35mm...

Lucky Film SHD 100 black and white film was one of a number of versions of colour, black and white, and chromogenic black and white consumer films manufactured by Lucky Group Corporation in Héběi (河北), China. Sadly, the company

Film stock review: Bergger Pancro 400 35mm Part 5 – EI...

If you've been following along, you're probably wondering what happened to part four of this series.

Finding film part 7: Let there be light AKA a disaster...

Hello again, EMULSIVE readers.

Film stock review: Bergger Pancro 400 Part 3 – 35mm EI...

Welcome to part three of my Bergger Pancro 400 review series, which this time takes the film to EI 1600, while maintaining the +/-1 stop brackets that you've come to know and love. In case you're new to the

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