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Tag: Long Form
UPDATE 01 2017-04-27: Added production specifications Standing on the shoulders of Hamish Gill's early look at the pre-release prototype of the 7artisans 35mm f/2 Leica M-mount lens, I'm here to offer my thoughts on one of the very first copies
Update 01: 2018-09-20 Welcome to part two of this series, looking at all the fresh film stocks still being produced today. In part one I covered every film stock from ADOX to Dubblefilm.
I have been shooting 4x5 for about five years. I use it for much of my personal work, and love the tonality and rendering it gives my images.
Welcome to the follow up to my first impressions of the Billingham Hadley One, published in April 2017.
There's no arguing that in the V-System, Hasselblad created one of, if not the world's most comprehensive and flexible medium format camera system. The V-System comprises of somewhere in the region of 35 bodies, 70 lenses, 20 film backs and
If there was ever a form of printing that gives you that true artistic feel, Platinum/Palladium would be it.
FERRANIA P30 Alpha has had an interesting time of it since it got into the hands of eager customers in late 2017. Many photographers (including yours truly) have questioned everything from its true speed to the nature of the emulsion
Update 02: 2018-09-20 If you're anything like me, you've probably wondered how many fresh film stocks are still in production and available for purchase today.
Street photography is a mercurial practice of ritual, patience, and spending endless hours with your own thoughts as you stalk a city’s sidewalks.
At some point in 2017, I went through a phase of photographic despondency but developed an interested in alternative, broadly photographic ventures.
Hello, my name is Anil Mistry. I love messing with both film and digital cameras and I shoot lots of street portraits.
Part one of this collection covered an in-depth overview of the Hasselblad V-System. This section of the guide covers roll film, instant and sheet film backs (designated by Hasselblad as "magazines").
At the end of 2017 I mentioned to Aislinn Chuahiock that I'd received some 35mm Kodak Portra 800 to test out and was planning on pitting it against Lomography's Color Negative 800 in a side-by-side review. In her infinite wisdom
What you see below is my Mamiya Sekor RB67 Pro S, the camera I’m reviewing today.
When I was fifteen I wanted a Nikon FM. A couple of months ago, some forty years later, I finally bought one – actually an FM2n, but close enough.
Today's rant is something that I've been trying to formulate for a while, it came to a head whilst I was walking around Saltaire with my girlfriend.