Tag: Leica Tele-Elmarit 90mm f/2.8
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Photography: That’s my ride – Shot on Kodak Tri-X 400 at EI 1600 (35mm format)
That’s my ride Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format
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Photography: Latch key kid – Shot on Agfa Scala 200X at EI 200 (35mm format)
Latch key kid Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed
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Photography: Bird bar – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Bird bar Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 35mm format
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Photography: The Buddha of Immeasurable Life and Light – Shot on Agfa Scala 200X at EI 200 (35mm format)
The Buddha of Immeasurable Life and Light Shot on Agfa Scala 200X at EI 200 Black and white reversal (slide) film in 35mm format Reversal processed
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Photography: No flyers – Shot on Kodak Plus-X 125 (35mm)
No flyers Shot on Kodak Plus-X 125 at EI 100 Black and white negative film in 35mm format
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Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Panels Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8
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Photography: Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)
Searching for an open door Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8
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Photography: Lines – Shot on Silberra ULTIMA 200 (35mm)
Lines Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8
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Photography: Top entrance – Shot on Silberra ULTIMA 200 (35mm)
Top entrance Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8
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Photography: Barred – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Barred Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8
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Photography: Split #04 – Fuji Provia 100F – RDP IIII (35mm)
Split #04 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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Photography: Split #03 – Fuji Provia 100F – RDP IIII (35mm)
Split #03 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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Photography: Split #02 – Fuji Provia 100F – RDP IIII (35mm)
Split #02 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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Photography: Split #01 – Fuji Provia 100F – RDP IIII (35mm)
Split #01 Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Provia 100F (RDP III) review here.
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Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.
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Photography: Take the stairs – Fuji Neopan 400 (35mm)
Take the stairs Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: God’s library – Agfa Scala 200X (35mm)
God’s library Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format
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Photography: The longer you wait… – Agfa Scala 200X (35mm)
The longer you wait… Agfa Scala 200X shot at EI 100 Black and white reversal (slide) film shot in 35mm format
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EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
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EMULSIVE 52 Rolls 2016 Week 10-13 update
“What is this mysterious object in the sky? Why does it burn my eyes? What is this feeling on my skin?
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