Tag: Kodak
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Photography: Big block – Eastman Double-X 5222 (35mm)
Big block Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 3200 Black and white negative film in 35mm format Push processed 4+2/3 stops
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Photography: Wait to be seated – Shot on Kodak Ektar 100 at EI 100 (120 format)
Wait to be seated Shot on Kodak Ektar 100 at EI 100. Color negative film in 120 format shot as 6×6.
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EMULSIVE interview #4: I am Jennifer Henriksen and this is why I shoot film
Today we’re sitting down with the one and only Jennifer Henriksen, or as you may better know her, mastermind and overlord of Holga Week, HolgaJen. Here you go, Jen.
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Photography: Kwak – Shot on Kodak T-MAX 100 TMX at EI 100 (120 format)
Kwak Shot on Kodak T-MAX 100 (TMX) at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Charmed – Shot on Kodak Ektar 100 at EI 100 (120 format)
Charmed Shot on Kodak Ektar 100 at EI 100. Color negative film in 120 format shot as 6×6.
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Photography: Burning CHROME – Kodak EASTMAN DOUBLE-X 5222 (35mm)
Burning CHROME Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format
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Photography: Hanging around – Shot on Lomography Color Negative 800 at EI 800 (120 format)
Hanging around Lomography Color Negative 800 shot at EI 800. Color negative film in 120 format shot as 6×6.
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EMULSIVE interview #3: I am Roger Ballen and this is why I shoot film
Week 3 has flown in, which means another interview and another unwilling victim ecstatic guest to grill. I’m very, very pleased to have been able to grab some time with the venerable Roger Ballen;
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Photography: Waving in the new – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Waving in the new Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1+1/3 stops.
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Photography: Time to reflect – Kodak Ektar 100 (120)
Time to reflect – 2015-07-13 Kodak Ektar 100 shot at EI 100. Color negative film in 120 format shot as 6×6.
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Photography: Stand apart – Shot on Kodak TMAX 100 at EI 100 (120 format)
Stand apart Shot on Kodak TMAX 100 shot at EI 100 Back and white negative film in 120 format shot as 6×6
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Photography: Two strokes – Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm format)
Two strokes Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 200 Black and white negative film in 35mm format
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EMULSIVE interview #1: I am Emericus Durden and this is why I shoot film
Welcome to the first in a new series of interviews here at EMULSIVE I think you’ll find the format rather refreshing, if possibly a little strange.
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Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Gone fisheye-ing Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 30mm fisheye
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Photography: SPRUNG! – Shot on Kodak Tri-X 400 at EI 400 (120)
SPRUNG! Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 120 format shot as 6×6 Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.