Tag: Kodak
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Photography: Slats slats slats – Kodak Pro Image 100 (35mm)
Slats slats slats Kodak Pro Image 100 shot at ISO100 Color negative film in 35mm format
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Photography: Cracking up – Shot on Kodak Portra 400 at EI 1600 (120 format)
Cracking up Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×4.5 Push processed two stops
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Photography: Railroaded – Shot on Kodak Ektar 100 at EI 100 (120 format)
Railroaded Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Enter at your own risk – Kodak Ektar 100 (120)
Enter at your own risk Kodak Ektar 100 shot at ISO100 Color negative film in 35mm format
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Photography: Nestled in the hills – Shot on Kodak Ektar 100 at EI 100 (120 format)
Nestled in the hills Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: I’m watching you – Shot on Kodak Ektar 100 at EI 100 (35mm format)
I’m watching you Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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Photography: Behind door #3 – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)
Behind door #3 Kodak 250D (5207) shot at EI 250 Color motion picture film in 65mm format Hand cut and rolled as 120 format
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Photography: Harlequin – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Harlequin Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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EMULSIVE interview #29: I am Shikha Makan and this is why I shoot film
Director and travel junkie Shikha Makan is today’s interviewee and what an interesting character she is. After Kodak closed its doors in India, a friend handed her hundreds (yes, hundreds), of rolls of expired Kodak Ektachrome.
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Photography: Ha – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Ha Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!
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Photography: Taco Tuesday – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Taco tuesday Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format
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EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
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Photography: Fuchsia canopy – Shot on Kodak AEROCHROME III 1443 (120)
Fuchsia canopy Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×4.5 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME review  
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Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Grand theft pamplet – Shot on Kodak Pro Image 100 at EI 100 (35mm format)
Grand theft pamplet Kodak Pro Image 100 shot at EI 100 Color negative film in 35mm format
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Photography: Joist – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Joist Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Azure – Shot on Kodak Portra 160NC Unperforated at EI 100 (35mm format)
Azure Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format Unperforated stock
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Photography: Mind if I barrow this? – Shot on Kodak Portra 400 at EI 400 (120 format)
Mind if I barrow this? Shot on Kodak Portra 400 shot at EI400 Color negative film in 120 format shot as 6×6