Tag: Kodak
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EMULSIVE interview #46: I am Mike Pouliot and this is why I shoot film
We’re sitting down today with Mike Pouliot, a man whose photography oozes serenity, calm and stillness. Put down the coffee, spit out that mouthful of Red Bull and get settled in.
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Photoset #01: Kodak Ektar 100 – +1-stop push with +1 over development
As regular readers will know, I’ve been doing #FILMSWAPs for close to six months now and things are going great guns. Since it all started back in July, I’ve been lucky enough to swap over 150 rolls (and reels) of
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EMULSIVE interview #45: I am Hans ter Horst and this is why I shoot film
“No more chimping” – Hans ter Horst isn’t the first person to have said that and her certainly won’t be the last.
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Photography: Untitled – Shot on Kodak Vericolor III VPS 6006 at EI 100 (120 format)
Untitled Shot on Kodak Vericolor III (VPS 6006) at EI 100Color negative film in 120 format shot as 6×6
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EMULSIVE interview #42: I am Kilian Idsinga and this is why I shoot film
Well this is a spot of luck. We’re sitting down today with Kilian Idsinga, a relative newcomer to the world of film photography and someone that you may well have heard a little about over these past few months.
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Photography: Passage – Shot on Kodak Tri-X 400 at EI 6400 (35mm)
Passage Shot on Kodak Tri-X 400 at EI 6400 Black and white negative film in 35mm format Push processed four stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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EMULSIVE interview #41: I am Hamish Gill and this is why I shoot film
Today’s interviewee needs no introduction. I’m adamant about this. Over to you, Hamish! Fine.
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Photography: THE POWER – Kodak EKTACHROME 100 Plus Professional 6005 (120)
THE POWER Kodak EKTACHROME 100 Plus Professional (6005) shot at ISO80Color reversal (slide) film in 120 format shot
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EMULSIVE interview #38: I am Justin Rhody and this is why I shoot film
Justin Rhody is part photographer, part musician, part travel-nut and polymath is the first word that springs to mind when you see the breadth of his body of work and consider his hectic schedule. You may already be familiar with
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EMULSIVE interview #37: I am Daniel J Schneider and this is why I shoot film
Today’s interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
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Film stock review: Kodak EASTMAN DOUBLE-X (5222) – 35mm format
EMULSIVE: By way of a quick preface, regular readers and followers of EMULSIVE-related ramblings on Twitter will be familiar with our Interview and Photographer’s Daypack series should be familiar with Jonas Lundström.
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Photography: Warning: concealed restroom – shot on Kodak BW400CN (35mm)
Warning Shot on Kodak BW400CN at EI 400 Black and white negative film in 35mm format
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Film stock review: Kodak AEROCHROME III color infrared film
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
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EMULSIVE interview #34: I am Krist Mort and this is why I shoot film (NSFW)
Haunting, ethereal, dark, primal.
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Photography: Flightpath – Shot on Kodak Portra 400 at EI 200 (120 format)
Flightpath Shot on Kodak Portra 400 at EI 200 Color negative film in 120 format shot as 6×6
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Photography: We eat the same – Shot on Kodak Ektar 100 at EI 50 (35mm format)
We eat the same sh1t Shot on Kodak Ektar 100 shot at EI 50Color negative film in 35mm formatOver-exposed 1-stop We eat the same sh1tKodak Ektar 100 shot at EI 50Color negative film in 35mm formatOver-exposed 1-stop.
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Photography: Fan out – Shot on Kodak Tri-X 400 at EI 100 (120)
Fan out Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Disintegrated – Shot on Kodak Portra 400 at EI 400 (120 format)
Disintegrated Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6