Tag: Kodak
-
Photography: Tranquility – Shot on Kodak AEROCHROME III 1443 (35mm)
Tranquility Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
-
EMULSIVE interview #58: I am David Lingham and this is why I shoot film
We grabbed some time to have a chat with David Lingham, Wales-based darkroom purist and ex-litho industry stripper (not THAT kind). David’s got some beautiful images to share, as well as some insight into his photographic journey and why
-
Photography: Isolation – Kodak Portra 100T (120)
Isolation Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6
-
EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all! It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
-
EMULSIVE interview #57: I am Shawn Mozmode and this is why I shoot film
We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
-
Photography: Flotsam mooring – Kodak T400CN
Flotsam mooring Kodak T400CN shot at EI 200 Black and white negative in 120 format shot as 6×6 Overexposed one stop
-
Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
-
EMULSIVE interview #54: I am Marcus Carlsson and this is why I shoot film
Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer. We’ll be telling you more about his Analogue App a little later.
-
Photography: Lush – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Lush Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
-
EMULSIVE interview #52: I am Joan Ollé and this is why I shoot film
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR. Yes, you read that right, a DLSR got him into film.
-
Photography: Take a minute – Shot on Kodak Portra 400 at EI 400 (120 format)
Take a minute Shot on Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6
-
EMULSIVE interview #51: I am Sorin Nita and this is why I shoot film
Today I’m sitting down with Sorin Nita, AKA Twitter’s @FilmHasGrain.
-
Photography: Some occasional use – Kodak Portra 400 (120)
Kodak Portra 400 shot at ISO400 Color negative film in 120 format shot as 6×6
-
Photography: Tuck in! – Kodak Ektar 100 (120)
Kodak Ektar 100 shot at ISO100 Color negative film in 120 format shot as 6×6
-
EMULSIVE interview #49: I am Aimee Lower and this is why I shoot film
We’re finishing off this year’s interviews with the wonderful Aimee Lower. Aside from being one of the very first people we engaged with on Twitter, Aimee also knows Nils Karlson, this week’s other interviewee.
-
Film stock review: Kodak Professional Portra 400BW
Well here’s something you don’t see every day or every week for that matter.
-
Photography: Untitled – Shot on Kodak Ektar 100 at EI 100 (120 format)
Untitled Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
-
EMULSIVE interview #48: I am Nils Karlson and this is why I shoot film
Hailing from “rainy” Germany, todays interviewee is a man of strength, compassion and talent.
-
Photography: Hyggelig – Shot on Kodak AEROCHROME III 1443 (120)
Hyggelig Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.