Tag: Kodak
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EMULSIVE interview #64: I am Robert L. Jones and this is why I shoot film
Describing himself as, “barely removed from being a baby-boomer”, I got to know of Robert and his work through the previously featured, Aimee Lower.
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Photography: Cheap Trik – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Cheap Trik Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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How to get started with pushing (and pulling) film
We’ve roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It’s a great read for those of you who are thinking about dipping
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EMULSIVE interview #63: I am Chuck Miller and this is why I shoot film
Today we’ve dragged Chuck Miller away from his day job to tell us a bit about himself and his often seen “splitfilm” photography. In case you’re not familiar with it, I won’t spoil it here.
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Competition results – #PrintItForward
Thanks to everyone who lent their support to the PrintItForward competition we kicked off a back at the end of January.
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EMULSIVE 52 Rolls 2016 – Week 06-09 update
Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I incorrectly tweeted). The over/under exposure and push/pull/XPRO theme covered in my first update of 2016 continues unabated
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Photography: Have it your way – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Have it your way Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the
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Photography: Exit-Entrance – Kodak Portra 400
Kodak Portra 400 shot at ISO800 Color negative film in 120 format shot as 6×6 Push processed two stops
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EMULSIVE interview #61: I am Chris Wood and this is why I shoot film
Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography. Over to you, Chris What’s this picture, then? Jellyfish It’s one of my happiest
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Photography: Time to think – Shot on Kodak TRI-X 400 Pan 6043 at EI 320 (120 format)
Time to think Kodak TRI-X 400 Pan (6043) shot at EI 320 Black and white negative film in 120 format shot as 6×6
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Photography: Until next time – Shot on Kodak BW400CN at EI 400 (35mm format)
Until next time Shot on Kodak BW400CN shot at EI 400Black and white negative film in 35mm format Until next timeShot on Kodak BW400CN shot at EI 400Black and white negative film in 35mm format
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EMULSIVE interview #60: I am Oliver Liria and this is why I shoot film
Welcome to today’s EMULSIVE interview.
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Photography: Misty mountains – Shot on Kodak Portra 160NC at EI 100 (35mm format)
Misty mountains Shot on Kodak Portra 160NC at EI 100Color negative film in 35mm format Misty MountainsShot on Kodak Portra 160NC at EI 100.Color negative film in 35mm format.
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Photography: Feeling drained – Shot on Kodak Tri-X 400 at EI 1600 (35mm)
Feeling drained Shot on Kodak Tri-X 400 at EI 1600 Black and white negative film in 35mm format Push processed two stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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EMULSIVE interview #59: I am Duncan Waldron and this is why I shoot film
Today I’m sitting down with Duncan Waldron, life-long photographer both at work and play.
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Photography: Osaka infrared – Kodak AEROCHROME III 1443 (120)
Osaka infrared Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and