Tag: Kodak
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EMULSIVE interview #123: I am Laidric Stevenson and this is why I shoot film
The eagle-eyed amongst you will recognise today’s interviewee from his excellent and much-discussed review of the Bronica GS-1 system; as well as the beautiful images which accompany it.
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Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development
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EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
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Photography: Pediment – Kodak ULTRA MAX 400 (35mm)
Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two stops.
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Photography: Untitled – Kodak Ektar 100 (120)
Untitled Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Sliver – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Sliver Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 400 Color negative film in 35mm format
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EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film
Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.
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Permission to Create
I am no stranger to self-doubt. In fact, it feels as if I’ve stumbled through most of my life–save for my late teens when most of us think we know everything–with self-doubt at my side.
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Photography: The sorting bucket – Kodak Tri-X 400 (35mm)
The sorting bucket Kodak Tri-X 400 shot at EI 400 Black and white negative film in 35mm format
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Photography: Redfern – Lomography Redscale XR 50-200 (120)
Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as 6×12 Kodak Aero Ektar 178/2.5
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Photography: Hey, you’re in my sho…never mind – Kodak Tri-X 400 (35mm)
Hey, you’re in my sho…never mind Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Camera review: Me and my Ricoh GR1s Date
I work as full-time photographer during the week taking pictures for corporate companies and shooting events, so unfortunately, photography was becoming more and more like work.
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Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Twin Peaks Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format Hasselblad Distagon C 50/4 with adapter Read the Kodak VISION3 250D review Bulk load your own 120 film  
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Blue hour with Kodak Ektar 100
I’ve started getting into film photography more seriously over the past 18 months;