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Tag: Kodak T-MAX 400 (TMY-2)
We've roped the very agreeable Michael Bitaxi into putting together a guest post for us covering everything you need to get started with pushing and pulling film. It's a great read for those of you who are thinking about dipping
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I'm hoping that you'll find this extension of part one just as informative as the first and
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
Today I'm sitting down with Sorin Nita, AKA Twitter's @FilmHasGrain.
Today's interviewee is a new media journalist in one of the prettiest parts of the grand old U. S. of A.
Thoughtful, measured and contemplative are just three words you can use to describe the approach of today's interviewee, Erik Gould.
We're incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that's he's been latched to his various film
Today I'm speaking with Chuck Baker, whom some of you will know as the mad genius brains behind the The Brownie Camera page.
Urdhva mukha śvānāsana / Upward facing dog Kodak T-MAX400 shot at EI 400 Black and white negative film in 120 format shot as 6x4.5
Here we are with another interview for you all. This time we're sitting down with the incredibly passionate Antonio Biagiotti. Hailing from Northern Italy, Antonio is a moslty medium format photographer working in 6x7 using his Pentax 67ii.
Week 3 has flown in, which means another interview and another unwilling victim ecstatic guest to grill. I'm very, very pleased to have been able to grab some time with the venerable Roger Ballen;
Stand apart Shot on Kodak TMAX 100 shot at EI 100 Back and white negative film in 120 format shot as 6x6