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Tag: Kodak T-MAX 400 (TMY-2)

5 Frames With… Kodak T-MAX 400 (EI 200 / 120 /...

The Agfa Super Isolette with its Agfa Solinar 75 mm f/3.5 lens is considered by many to be the finest 120 folding...

EMULSIVE Interview #205: I am Jeremy Calow and this is why...

If you spend any time checking out landscape photographers online - especially if you've been eyeing up 6x17 format photography - you will no doubt have come across the work of today's interviewee, Jeremy Calow.

EMULSIVE Interview #203: I am Lina Bessonova and this is why...

Darkroom lab owner, photographer, printer and workshop host, Lina Bessonova is one of the busiest interviewees I've had on so far this year.

The Olympus XA review: how I fell in love with a...

...and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.

Interview #194: I am Ezequiel Grimaldi and this is why I...

I'm pleased to be able to introduce today's fresh interview with Ezequiel Grimaldi, film photographer based in Spain's San Sebastian. I'll keep this short so you can spend as much time as possible on the images below.

Photography: No garbage! – Shot on Kodak T-MAX 400 at EI...

No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6      

5 Frames With… Kodak T-MAX 400 (EI 400 / 35mm /...

Once every couple of months, I throw a film into my old Canon EOS5 (the Plastic Fantastic) and follow my daughter around for the day, shooting the stuff she gets up to.

Film notes: Kodak Professional T-MAX 400

Kodak T-MAX 400 is by far one of my favorite black and white films to shoot. It has a great balance of classic grain and also great latitude. Negatives are easily identified by edge markings stating "TMY-2".

5 Frames With… Kodak T-MAX 400 (35mm / EI 1600 /...

A few months ago, I started with analog photography.

EMULSIVE interview #189: I am Keith Moss and this is why...

Today's interviewee marks the completion of a conversation started in June 2015, back when I started researching people to include in my very first series, which started barely a month later. He's someone you'll probably be aware of, especially

Repulsion to attraction: my Kodak T-MAX 400 story so far

Kodak T-MAX 100 is undoubtedly the film I prefer after Tri-X 400 but despite this T-Grain appreciation, I have never been able to fully appreciate T-MAX 400.

Photo story: Rediscovering my 35mm soul through one photograph

I asked my self this question very recently: can one photo make a difference? You betcha!

Developing expired large format black and white film – by Scott...

If you are old enough, you will remember a time when expired film was like kryptonite to a photographer.

5 Frames With… Kodak T-MAX 400 (EI 400 / 120 /...

Last July I spent an afternoon at a special Photographer’s Open House at the Walker Ranch Homestead, a part of the Boulder County Parks and Open Spaces.

5 Frames With… KODAK T-MAX 400 (EI 400 / 35mm /...

With the exception of an Olympus Trip, I sold all of my 35mm camera equipment at the beginning of 2017. This was a decision I have regretted since.

EMULSIVE interview #165: I am Thomas Slatin and this is why...

A massive thanks to today's guest for bearing with me over the past few months.

EMULSIVE interview #163: I am Antonio Lastoria and this is why...

Regular readers should be familiar with the recent #5FramesWith article by today's interviewee.

Interview #158: I am Luis Barrancos and this is why I...

Today's interviewee hails from Portugal and is currently enjoying life in tropical Malaysia.

Photography: Capped – Shot on Kodak T-MAX 400 TMY-2 at EI...

Capped Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)          

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