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Tag: Kodak T-MAX 100 (TMX)
What follows is my 2019 in film photography, a 365 photography project that was absolutely not a 365 project. In this article,...
In 2016 I decided to back the TwoFourths DIY 617 Kickstarter project, paying about $185 for a kit that would let me...
It's an absolute pleasure to welcome you all to join me falling into the words and work of a rather rare beast.
Based in the Scottish Highlands, today's interviewee gets about a bit, and I don't just mean island hopping in the Scottish seas.
As a 6x6 format twin lens reflex camera, the Yashica Mat-124 TLR is considered a great entry-level camera for people who are moving up from 35mm to medium format film.
This whole project started when I realized I had been blindly allegiant to certain black and white films for a number of years without any particular rhyme or reason.
In the time honoured tradition of lazy posting at the end of each year, here's the first in a series of top 10 and countdown articles planned for EMULSIVE during this final week of 2017. First up, time to take
Today's interviewee should need no introduction but he gets one anyway.
A massive thanks to today's guest for bearing with me over the past few months.
Regular readers should be familiar with the recent #5FramesWith article by today's interviewee.
Today's interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.
Today's interviewee is a stalwart of the Twitter film photography community and I'm so happy to be able to bring her interview to you today.
There's a sense of good will and camaraderie in the film photography community that's hard to beat.
Nameless launch Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6x6 Orange 21 filter
Dried out Shot on Kodak T-MAX 100 (TMX) at EI 100. Black and white negative film in 120 format shot as 6x6.
Up until the day I was able to call it "mine" I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak's Aero Ektar lens. So why did I buy