In 2010 I decided to embark on the hardest adventure of my life, to photograph the entire 6,211km of the Yangtze River in China.
Update 03: 2018-11-20
Welcome to part four of this series exploring every single film stock (including instant film, dry plates, etc.), still being made today.
The road to this photo book wasn’t paved in roses exactly – more like sea salt!
A huge welcome to Daphne Schnitzer, past 5 Frames With contributor here on EMULSIVE and pinhole aficionado.
If you remember 2017’s Mamiya C220 TLR review, or spend any time at all with the wonderful film photography community on Twitter, then you’ll be more than familiar with today’s interviewee, Ian Bartlett.
I’m looking forward to this!
January 27th 2016. Let that date burn into your memory. The was the first time today’s interviewee and I first made email contact.
I like to try a little of everything while I’m out and about with cameras, so I shoot some digital and some film, but my passion is the film work.
Ladies and gentlemen I’m incredibly proud to bring you the first EMULSIVE interview of 2018, and it’s one I’ve been waiting for myself for quite a while.
Indulge yourself and sink into the words and pictures of Christopher P.
Today’s interviewee should need no introduction but he gets one anyway.
Hey everyone and welcome to the latest EMULSIVE interview.
Welcome to the third instalment of my Long Exposure Test series. In this part, I am looking at 5 readily available colour negative films and how adjustment of longer exposure times effects the outcomes.
I almost exclusively shoot on black and white film for the simple reason that I can develop and print it myself in the darkroom.
Readers with even the shortest of memories will remember today’s interviewee from his guest review of FILM Ferrania’s FERRANIA P30® emulsion back in April.
Welcome, welcome to Adam J White, aka Twitter’s @burlapandlight. You may remember Adam from his Return to film piece here on EMULSIVE back in February.
Today we’re grabbing some time with Marta Beltowska, currently based in London, UK.
Welcome one and all!
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait.
I grabbed some time with Raffael Stiborek 28 year old photographer from Austria.
You may have already seen some of his portrait work flying around the internet but if not, you’re in for a real treat.
More from the man
I’ve lived in Manchester now for roughly two and half years, having relocated from Scotland to work on my photography full-time.
Today we’re sitting down with film photographer Jamelle Bouie.