film.photography
No parking
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6×6
Potted
Shot on Kodak Portra 400 at EI 1600
Color negative film in 120 format shot as 6×6
Push processed two stops
Birch
Fuji Acros 100 shot at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed two stops
Extinguished
Shot on Shanghai GP3 100 at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed two stops
Red Algae
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
27-07-2015 – The pane
Ilford HP5+ shot at EI 1000
Black and white negative film in 120 format shot as 6×4.5
Push processed 1.5 stops
Rainbow screen
Lomography Color Negative 400 at EI 400.
Color negative film in 120 format shot as 6×6.
Red rims
Shot on Lomography Color Negative 400 EI 400.
Color negative film in 120 format shot as 6×6.
Infra-fern
Rollei 400 Infrared shot at EI 25 with R72 filter.
Back and white infrared-sensitive negative film in 35mm format.
X-ray’d
LomoChrome Purple XR 100-400 shot at EI 400.
Color negative film in 35mm format.
Picking up from my original Provia 100F review, I’m going to talk about how we can experiment with this film and the kinds of results you can expect.
In this article, we’ll be talking about pushing, cross processing and
Pockmarked
Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320
Black and white negative film in 135 format
Fixed motion
Shot on Rollei Superpan 200 at EI 400.
Black and white negative film in 120 format shot as 6×6.
Push processed one stop.
Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
 
Gone fisheye-ing
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
30mm fisheye
SPRUNG!
Shot on Kodak Tri-X 400 at EI 400
Black and white negative film in 120 format shot as 6×6
Read the Kodak Tri-X 400 review here.
…and don’t forget about the Tri-X 400 push processing guide!
 
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
Purple Flare
Shot on LomoChrome Purple XR 100-400 at EI 400.
Color negative film in 35mm format.
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
Left Hanging
Shot on Shanghai GP3 100 at EI 400.
Black and white negative film in 120 format shot as 6×6.
Push processed two stops.
Walk your path
Shot on Kodak Portra 400 at EI 400.
Color negative film in 120 format shot as 6×12.
There’s more from this roll of Kodak Portra 400 at the EMULSIVE Archives.
