Tag: ISO 400
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Photography: No parking – Shot on Ultrafine Xtreme 400 at EI 400 (120 format)
No parking Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Potted – Shot on Kodak Portra 400 at EI 1600 (120 format)
Potted Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Birch – Shot on Fuji Acros 100 at EI 400 (120 format)
Birch Fuji Acros 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops
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Photography: Extinguished – Shot on Shanghai GP3 100 at EI 400 (120 format)
Extinguished Shot on Shanghai GP3 100 at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed two stops
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Photography: The pane – Ilford HP5+ (120)
27-07-2015 – The pane Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
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Photography: Rainbow screen – Shot on Lomography Color Negative 400 (120 format)
Rainbow screen Lomography Color Negative 400 at EI 400. Color negative film in 120 format shot as 6×6.
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Photography: Red rims – Shot on Lomography Color Negative 400 at EI 400 (120 format)
Red rims Shot on Lomography Color Negative 400 EI 400. Color negative film in 120 format shot as 6×6.
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Photography: Infra-fern – Shot on Rollei 400 Infrared at EI 25 (35mm format)
Infra-fern Rollei 400 Infrared shot at EI 25 with R72 filter. Back and white infrared-sensitive negative film in 35mm format.
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Photography: X-ray’d – Shot on LomoChrome Purple XR 100-400 at EI 400 (35mm format)
X-ray’d LomoChrome Purple XR 100-400 shot at EI 400. Color negative film in 35mm format.
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Photography: Pockmarked – Shot on Maco Eagle AQS 400 / Rollei Retro 400S (35mm)
Pockmarked Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320 Black and white negative film in 135 format
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Photography: Fixed motion – Shot on Rollei Superpan 200 at EI 400 (120 format)
Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6×6. Push processed one stop. Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Gone fisheye-ing Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 30mm fisheye
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Photography: SPRUNG! – Shot on Kodak Tri-X 400 at EI 400 (120)
SPRUNG! Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 120 format shot as 6×6 Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Shooting Kodak Tri-X 400 from EI 800 to EI 12800 (+ development times)
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.
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Photography: Purple Flare – Shot on LomoChrome Purple XR 100-400 at EI 400 (35mm format)
Purple Flare Shot on LomoChrome Purple XR 100-400 at EI 400. Color negative film in 35mm format.
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Film notes: Kodak Tri-X 400 (400TX)
Another quick reference guide for you all. This time it’s Kodak Tri-X 400. As this article proved, Tri-X 400 is is the best film black and white film in the world…if you want a certain look.
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Photography: Left Hanging – Shot on Shanghai GP3 100 at EI 400 (120 format)
Left Hanging Shot on Shanghai GP3 100 at EI 400. Black and white negative film in 120 format shot as 6×6. Push processed two stops.
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Photography: Walk your path – Shot on Kodak Portra 400 at EI 400 (120 format)
Walk your path Shot on Kodak Portra 400 at EI 400. Color negative film in 120 format shot as 6×12. There’s more from this roll of Kodak Portra 400 at the EMULSIVE Archives.