Time to reflect – 2015-07-13
Kodak Ektar 100 shot at EI 100.
Color negative film in 120 format shot as 6×6.
Time to reflect – 2015-07-13
Kodak Ektar 100 shot at EI 100.
Color negative film in 120 format shot as 6×6.
Following on from my review of Fuji Provia 100F (RDP III), here’s our quick reference for (nearly) everyone’s favourite slide film.
Here’s what Fuji have to say:
“FUJICHROME PROVIA 100F Professional is an ultra-high-quality, daylight-type ISO 100-color reversal film.
With
At the boat races
Shot on Fuji Sensia 100 shot at EI 80.
Color slide film in 35mm format.
Expired and cross processed.
Stand apart
Shot on Kodak TMAX 100 shot at EI 100
Back and white negative film in 120 format shot as 6×6
Cornered
Shot on LomoChrome Purple XR 100-400 at EI 200
Color negative film in 120 format shot as 6×6
Let there be light
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Read the Fuji Provia 100F (RDP III) review here.
Guarded dog Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×4.5 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Lotus
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Read the Fuji Provia 100F (RDP III) review here.
Left Hanging
Shot on Shanghai GP3 100 at EI 400.
Black and white negative film in 120 format shot as 6×6.
Push processed two stops.
Weighing the options
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.
Color reversal (slide) film in 35mm format.
Cross processed.
Through the window
Shot on Fuji Acros 100 at EI 100.
Black and white negative film in 120 format.
Hawaiian hues
Shot on Lomography Redscale XR 50-200 shot at EI 200.Color redscale negative film in 35mm format.
Hawaiian huesLomography Redscale XR 50-200 shot at EI 200Color redscale negative film in 35mm format.
Weathered
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.Color reversal (slide) film in 35mm format.Cross processed.
Final Spring
Shot on Lomography LomoChrome Purple XR100-400 at EI 200.Speciality color negative film in 35mm format.Orange filter, overexposed one stop.
Bougainvillea
Shot on Fuji Velvia 100 RVP 100 shot at EI 80.Color reversal (slide) film
Ajar
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 120 format shot as 6×4.5Push processed one stop and cross processed
Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide
AjarShot on Kodak EKTACHROME
Smiles all round
Shot on Fuji NEOPAN 100 ACROS at EI 100Black and white negative film in 120