I’ve managed to drag today’s interviewee away from his workshop for a few minutes on the promise that he’s returned as soon as possible.
Tag: Hasselblad
EMULSIVE interview #28: I am Andrea Taurisano and this is why I shoot film
We’re incredibly pleased to have gotten some time to talk with Andrea Taurisano about his reasons for shooting film and the evolution his photography has undergone in the 30 or so years that’s he’s been latched to his various film
Photography: Azure – Shot on Kodak Portra 160NC Unperforated at EI 100 (35mm format)
Azure
Shot on Kodak Portra 160NC at EI 100
Color negative film in 35mm format
Unperforated stock
EMULSIVE interview #27: I am Colin Wilson and this is why I shoot film
Considered, methodological, quiet, contemplative.
Today’s film photographer isn’t someone you’ll likely see running after the next shot.
EMULSIVE interview #26: I am Mike Fraser and this is why I shoot film
Today we’re sitting down with Mike Fraser, Toronto-based photographer, cancer researcher and all round globe-trotting nice guy.
Mike works in film of all formats, as well as the occasional foray into digital.
EMULSIVE interview #25: I am Michael Jackson and this is why I shoot film
Some of us take up a photographic study of a particular form of photography; perhaps focusing on macro images, animals, insects, portraiture.
Photography: Quadrophenia – Rollei Infrared 400 (120)
Quadrophenia
Rollei Infrared 400 shot at EI 400
Black and white infrared sensitive film in 120 format shot as 6×6
EMULSIVE interview #18: I am Joseph Gamble and this is why I shoot film
Have you ever seen an image that stopped you dead in your tracks?
It last happened to me about a year ago, maybe more, maybe less.
I was browsing an online gallery of desktop wallpapers, looking for something a little
Photography: Rainbow screen – Shot on Lomography Color Negative 400 (120 format)
Rainbow screen
Lomography Color Negative 400 at EI 400.
Color negative film in 120 format shot as 6×6.
The photographer’s daypack – part 2: medium format street shooters
A little while ago, I covered my recommendations and rationale for the basic photographer’s daypack – a small, light pack of essential items for any film photographer.
Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Gone fisheye-ing
Shot on Kodak Portra 400 at EI 400
Color negative film in 120 format shot as 6×6
30mm fisheye