Tag: Hasselblad
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Photography: I am a wall – Kodak BW400CN (120)
I am a wall – 2016-04-25 Kodak BW400CN shot at EI 400 black and white negative in 120 format shot as 6×6
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Photography: Out for a stroll – shot on ILFORD FP4 PLUS at EI 800 (120 format)
Out for a stroll Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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EMULSIVE interview #64: I am Robert L. Jones and this is why I shoot film
Describing himself as, “barely removed from being a baby-boomer”, I got to know of Robert and his work through the previously featured, Aimee Lower.
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EMULSIVE interview #59: I am Duncan Waldron and this is why I shoot film
Today I’m sitting down with Duncan Waldron, life-long photographer both at work and play.
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Black and white film high EI shootout part 2: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 25600
The high EI shootout is back for part two: the pushening. Poorly executed references to the terrible sequel that was Highlander 2 aside, I’m hoping that you’ll find this extension of part one just as informative as the first and
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Wax apple light study #01 – Ilford Pan F Plus
Wax apple light study #01 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Isolation – Kodak Portra 100T (120)
Isolation Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Black lightning – Shot on Rollei Infrared 400 at EI 6 (120 format)
Black lightning Rollei Infrared 400 shot at EI 6 Black and white negative in 120 format shot as 6×6 R72 infrared filter
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Photography: Flotsam mooring – Kodak T400CN
Flotsam mooring Kodak T400CN shot at EI 200 Black and white negative in 120 format shot as 6×6 Overexposed one stop
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Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
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Black and white film high EI shootout part 1: Kodak Tri-X 400, T-MAX 400 and ILFORD HP5 PLUS, Delta 400 at EI 12800
A few months ago I wrote a post about experimenting with pushing Kodak Tri-X from ISO 800 to 12800.
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EMULSIVE interview #52: I am Joan Ollé and this is why I shoot film
Without giving too much away, today’s interviewee first started shooting film after getting a DSLR. Yes, you read that right, a DLSR got him into film.
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EMULSIVE interview #49: I am Aimee Lower and this is why I shoot film
We’re finishing off this year’s interviews with the wonderful Aimee Lower. Aside from being one of the very first people we engaged with on Twitter, Aimee also knows Nils Karlson, this week’s other interviewee.
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Film stock review: Kodak Professional Portra 400BW
Well here’s something you don’t see every day or every week for that matter.
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Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
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EMULSIVE interview #35: I am Jo Farrell and this is why I shoot film
We’ve been rather lucky in snatching some time with the one and only Jo Farrell, whom you may know from her long running project, Living History: Bound Feet. Jo has spent the past nine years getting to know and capturing
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Film stock review: Kodak AEROCHROME III color infrared film
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
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Photography: Persici blossoms – Shot on Fuji Pro 400H at EI 400 (120 format)
Persici blossoms Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format shot as 6×4.5 Hasselblad Planar 80mm f/2.8 – E16 macro extension tube