Tag: Hasselblad
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Photography: Pumpkin pile – Ilford Pan F+ (120)
Pumpkin pile Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Stagnant staircase – Ilford Pan F+ (120)
Stagnant staircase Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: Tucked away – Ilford Pan F+ (120)
Tucked away Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Camera review: the Hasselblad 500C/M
In high school, I bought myself a Minolta Maxxum 3000i with some off-brand lenses. It worked great as a point and shoot on drugstore Fuji film.
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EMULSIVE interview #111: I am James Tarry and this is why I shoot film
If you’ve not come across today’s interviewee before, you’re in for a treat.
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Photography: So long chaps! – Ilford HP5+ – 120
So long chaps! Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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Photography: Red cabbage light study #02 – Kodak Ektar 100 (120)
Red cabbage light study #02 Kodak Ektar 100 shot at EI100 Color negative film in 120 format shot as 6×6 Developed as black and white Red cabbage light study #02 Kodak Ektar 100 shot at EI100. Color negative
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Minimalism in photography
“Simplicity is the ultimate sophistication”, Leonardo Da Vinci Minimalism of any form requires a degree of discipline… The discipline required is to recognize what is essential and is superfluous. So it is with minimalist photography.
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Photography: Barred skies – Kodak Portra 400 (120)
Barred skies Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #102: I am Sam Smith and this is why I shoot film
Welcome to EMULSIVE interview 102!
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EMULSIVE interview #90: I am Walter Rothwell and this is why I shoot film
A big welcome to Walter Rothwell! Well travelled and widely exhibited, it’s a real pleasure to be able to share the work of such a relented and experienced photographer on these pages.
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Photography: Red cabbage light study #01 – Kodak Ektar 100 (120)
Red cabbage light study #01 Shot on Kodak Ektar 100 at EI200 Color negative film in 120 format shot as 6×6 Developed as black and white in Rodinal
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Photography: Behind the blue door – Fuji Pro 160NPC (120)
2016-06-07 – Behind the blue door Fuji Pro 160~NPC shot at EI100 Color negative film in 120 format shot as 6×6 Bleach bypass C-41 development
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Photography: Come and get ’em – Ilford FP4+ (120)
2016-05-12 – Come and get ’em Ilford FP4+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Last of the sakura – Fuji Pro 400H (120)
Last of the sakura – 2015-05-05 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: Besom 02 – Fuji Pro 400H (120)
Besom 02 – 2015-05-03 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x teleconverter
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Photography: Blue steel – Kodak Portra 100T (120)
Blue steel Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Budding – Efke R25 (120)
Budding Shot on Efke R25 at EI 25 Black and white negative in 120 format shot as 6×6