Tag: Hasselblad
-
Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development
-
Photography: Done for the day – Fuji Acros 100 (120)
Done for the day Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
-
Photography: Port’s Mouth – Fuji Acros 100 (120)
Port’s Mouth Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
-
Photography: The little details – Fuji Provia 100F – RDP III (120)
The little details Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
-
Photography: Boiler room – Fuji Acros 100 (120)
Boiler room Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
-
Photography: Break time – Ilford FP4+ (120)
Break time Ilford FP4+ shot at EI 400 Black and white negative film in 120 format shot as 6×6 1+1/3 stop push
-
EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
-
Photography: Stone, rubber and steel – Macophot Ortho 25 – (35mm)
Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format
-
Photography: I’m so glad you came… Fuji Pro 160 NPC (120)
I’m so glad you came… Fuji Pro 160 NPC shot at EI 160 Color negative film in 120 format shot as 6×6 2x Tele-Converter 2- stop push process
-
Photography: Bench – Ilford Delta 400 Professional (120)
Bench Ilford Delta 400 Professional shot at EI 400 Black and white negative film in 120 format shot as 6×6 2x Teleconverter
-
Photography: Scarred – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Scarred Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
-
Photography: Twin Peaks – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Twin Peaks Shot on Kodak 250D VISION3 5207 at EI 250 Color negative motion picture film in 35mm format Hasselblad Distagon C 50/4 with adapter Read the Kodak VISION3 250D review Bulk load your own 120 film  
-
Photography: All bunched up – Fuji Provia 100F – RDP III (120)
All bunched up Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 30mm fisheye Push processed one stop Read the Fuji Provia 100F (RDP III) review here.  
-
EMULSIVE interview #113: I am Rory Earnshaw and this is why I shoot film
It’s a little difficult to introduce today’s interviewee without resorting to superlatives. I’ve tried and failed. What I will say is that his images evoke feelings of peace and serenity.
-
Photography: Shoes off at the door please – Fuji Pro 400H (120)
Shoes off at the door please Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×4.5 2x Teleconverter
-
EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
-
Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
-
Photography: Address unknown – Ilford Pan F+ (120)
Address unknown Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
-
Photography: Late bloomer – Ilford Pan F+ (120)
Late bloomer Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.