Tag: Hasselblad Planar F 80mm f/2.8
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Photography: Capped – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Capped Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Focal point – Fuji Provia 400X – RXP (120)
Focal point Shot on Fuji Provia 400X (RXP) at EI 1600 Color reversal (slide) film in 120 format shot as 6×6 Push processed two stops
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Photography: Crisp – Shot on Kodak T-MAX 400 – TMY-2 (120)
Crisp Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Waiting for the count – Shot on Cinestill 800T at EI 800 (120 format)
Waiting for the count Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6
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Photography: Crease – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Crease Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Nameless launch – Kodak T-MAX 100 (120)
Nameless launch Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6 Orange 21 filter
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Photography: Number 66 – Shot on Kodak Portra 160NC at EI 100 (120 format)
Number 66 Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Down time – Shot on Kodak Portra 160NC (120)
Down time Shot on Kodak Portra 160NC at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Inside the lion’s mind – Cinestill 800T (120)
Inside the lion’s mind Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6