film.photography
Wax apple light study #01
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube
Isolation
Kodak Portra 100T shot at EI 100
Color negative film in 120 format shot as 6×6
Black lightning
Rollei Infrared 400 shot at EI 6
Black and white negative in 120 format shot as 6×6
R72 infrared filter
Flotsam mooring
Kodak T400CN shot at EI 200
Black and white negative in 120 format shot as 6×6
Overexposed one stop
Feeling pumped
ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
Well here’s something you don’t see every day or every week for that matter.
On the ropes
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×6
Bleach bypass C41 processing
Hasselblad Planar 80/2.8
Let me get this out of the way. AEROCHROME is hands-down my favourite film stock. Yes, that includes EKTACHROME E100VS and I implore you to try some AEROCHROME out if you can.
Persici blossoms
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×4.5
Hasselblad Planar 80mm f/2.8 – E16 macro extension tube
Azure
Shot on Kodak Portra 160NC at EI 100
Color negative film in 35mm format
Unperforated stock
Rainbow screen
Lomography Color Negative 400 at EI 400.
Color negative film in 120 format shot as 6×6.
