Tag: Hasselblad 2000FCW Film Camera
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Photography: Boiler room – Fuji Acros 100 (120)
Boiler room Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: I’m so glad you came… Fuji Pro 160 NPC (120)
I’m so glad you came… Fuji Pro 160 NPC shot at EI 160 Color negative film in 120 format shot as 6×6 2x Tele-Converter 2- stop push process
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Photography: Bench – Ilford Delta 400 Professional (120)
Bench Ilford Delta 400 Professional shot at EI 400 Black and white negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: Scarred – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Scarred Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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Photography: All bunched up – Fuji Provia 100F – RDP III (120)
All bunched up Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 30mm fisheye Push processed one stop Read the Fuji Provia 100F (RDP III) review here.  
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Photography: Budding – Efke R25 (120)
Budding Shot on Efke R25 at EI 25 Black and white negative in 120 format shot as 6×6
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Wax apple light study #02 – Ilford Pan F Plus
Wax apple light study #02 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Wax apple light study #01 – Ilford Pan F Plus
Wax apple light study #01 Ilford Pan F Plus shot at EI 50 Black and white negative film in 120 format shot as 6×6 32E extension tube
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Photography: Isolation – Kodak Portra 100T (120)
Isolation Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Black lightning – Shot on Rollei Infrared 400 at EI 6 (120 format)
Black lightning Rollei Infrared 400 shot at EI 6 Black and white negative in 120 format shot as 6×6 R72 infrared filter
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Photography: Flotsam mooring – Kodak T400CN
Flotsam mooring Kodak T400CN shot at EI 200 Black and white negative in 120 format shot as 6×6 Overexposed one stop
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Photography: Feeling pumped – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Feeling pumped ILFORD HP5 PLUS shot at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45 (N+3
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Photography: Given the elbow – Shot on Rollei Superpan 200 at EI 400 (120 format)
Given the elbow Shot on Rollei Superpan 200 at EI 400 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000 + Zodiak-B 30/3.5 fisheye Read the full Rollei Superpan 200 review here…and don’t forget the experimentation
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Photography: Azure – Shot on Kodak Portra 160NC Unperforated at EI 100 (35mm format)
Azure Shot on Kodak Portra 160NC at EI 100 Color negative film in 35mm format Unperforated stock
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Photography: Rainbow screen – Shot on Lomography Color Negative 400 (120 format)
Rainbow screen Lomography Color Negative 400 at EI 400. Color negative film in 120 format shot as 6×6.
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Photography: Gone fisheye-ing – Shot on Kodak Portra 400 at EI 400 (120 format)
Gone fisheye-ing Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6 30mm fisheye