Tag: Fujifilm
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EMULSIVE 52 Rolls 2016 – Week 01-05 update
Hello one and all! It’s been some time coming but I’m ready to share my 52 Rolls work to date for 2016.
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Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)
Two-tone Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops. Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.
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EMULSIVE interview #57: I am Shawn Mozmode and this is why I shoot film
We all like to dress up now and again but I personally draw the line at stripes, especially if they’re red.
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EMULSIVE interview #53: I am Thom Axon and this is why I shoot film
There’s salt in the air and it must have something to with today’s interviewee, Thom Axon. Thom’s a busy man.
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Photography: Up lit, lit up – Fuji Acros 100
Fuji Acros 100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
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Photography: Any day now… – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×4.5
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EMULSIVE interview #48: I am Nils Karlson and this is why I shoot film
Hailing from “rainy” Germany, todays interviewee is a man of strength, compassion and talent.
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Photography: Mercantile modernism – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×6 Bleach bypass C41 processing
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Photography: Reach down – Fuji Pro 160NPC (120)
Reach down Shot on Fuji Pro 160NPC at EI 100 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #45: I am Hans ter Horst and this is why I shoot film
“No more chimping” – Hans ter Horst isn’t the first person to have said that and her certainly won’t be the last.
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EMULSIVE interview #44: I am Gary W Smith and this is why I shoot film
We’re sitting down today with with Liverpudlian turned Londoner, Gary W Smith. You might recognise some of the images below from his Zones 1-4 and London Street projects.
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Photography: Small gods – Shot on Fuji Pro 400H at EI 400 (35mm format)
Small gods Fuji Pro 400H shot at EI 400 Color negative film in 35mm format Bleach bypass C41 processing
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Photography: Slick – Shot on Fuji Pro 400H at EI 400 (120 format)
Slick Fuji Pro 400H shot at ISO200 Color negative film in 120 format shot as 6×4.5 Over exposed 1-stop
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EMULSIVE interview #42: I am Kilian Idsinga and this is why I shoot film
Well this is a spot of luck. We’re sitting down today with Kilian Idsinga, a relative newcomer to the world of film photography and someone that you may well have heard a little about over these past few months.
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EMULSIVE interview #41: I am Hamish Gill and this is why I shoot film
Today’s interviewee needs no introduction. I’m adamant about this. Over to you, Hamish! Fine.
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Photography: Belly of the beast – Shot on Fuji Pro 400H at EI 400 (120 format)
Belly of the beast Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×6 Bleach bypass C41 processing
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EMULSIVE interview #40: I am Sina Farhat and this is why I shoot film
Today’s guest is based in Sweden and spends his days working as a freelance photographer.
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Photography: Say goodbye to the old place – Shot on Fuji Superia 200 at EI 200 (35mm format)
Say goodbye to the old place Fuji Superia 200 shot at EI 200Color negative film in 35mm format Say goodbye to the old placeFuji Superia 200 shot at EI 200.Color negative film in 35mm format.
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Photography: Swapping details – Fuji Pro 400H (120)
Fuji Pro 400H shot at ISO400 Color negative film in 120 format shot as 6×4.5